Voicing the Cinema

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" Kurosawa Akira
"Stella by Starlight
A Little Princess
A32=Brooke McCorkle
A32=Eric Dienstfrey
A32=Erik Heine
A32=Hannah Lewis
A32=James Buhler
A32=Julie Brown
A32=Julie Hubbert
A32=Marcia J. Citron
Adventures in Babysitting
Age Group_Uncategorized
Age Group_Uncategorized
audio mixing
automatic-update
B01=Hannah Lewis
B01=James Buhler
Brave
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=AV
contemporary cinema
COP=United States
Dead Poets Society
Delivery_Delivery within 10-20 working days
Dersu Uzala
diegetic music
environmentalism
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Ferris Bueller's Day Off
Ferris Bueller’s Day Off
Fiddler on the Roof
Film music
FM radio
Footloose
Forbidden Planet
Four Daughters
Four Wives
Frozen
genre
Harvey
high fidelity
Ingmar Bergman
integrated soundtrack
Jean Gremillon
Jean Renoir
King Kong 1933
La Petite Lise
Language_English
Max Steiner
On Purge bebe
orchestrator
PA=Available
Peter Weir
piano concerto
Price_€20 to €50
PS=Active
Rene Clair
Risky Business
Say Anything...
silent cinema
softlaunch
Song of the Sea
sound mixing
soundscape
Sous les toits de Paris
teen films
The Book of Life
The Breakfast Club
The Broadway Melody
The Jazz Singer
The Magic Flute 1975
The Martian
The Picnic at Hanging Rock
The Strawberry Statement
The Truman Show
The Uninvited
Victor Young
vococentrism
voice
Zabriskie Point
Zombieland

Product details

  • ISBN 9780252084867
  • Weight: 513g
  • Dimensions: 156 x 235mm
  • Publication Date: 04 Mar 2020
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music's role in the integrated soundtrack.

The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in Brave and Frozen. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from The Martian and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism.

Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell

James Buhler is a professor of music theory at the University of Texas at Austin. He is author of Theories of the Soundtrack and a coauthor of Hearing the Movies: Music and Sound in Film History. Hannah Lewis is an assistant professor of musicology at the University of Texas at Austin. She is the author of French Musical Culture and the Coming of Sound Cinema.