Waiting for Buddy Guy

Regular price €100.99
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A01=Alan Harper
African American
Age Group_Uncategorized
Age Group_Uncategorized
alcohol
Alligator
American music
authenticity
Author_Alan Harper
automatic-update
B.L.U.E.S.
Billy Branch
black
blues
bluesmen
British
Buddy Guy
Category1=Non-Fiction
Category=AV
Category=AVLP
Category=DNC
Category=NHTB
Checkerboard Lounge
Chess Records
Chicago
Chicago blues
concert
conversations
COP=United States
Delivery_Delivery within 10-20 working days
Delmark
DJ
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eyewitness
gig
guitar
guitarist
harmonica
harpist
Jimmy Dawkins
Johnny Littlejohn
Junior Wells
Koko Taylor
Language_English
Lefty Dizz
Living Blues magazine
Lonnie Brooks
Lurrie Bell
Magic Slim
memoir
Mississippi
music
musicians
North Side
PA=Available
performance
Pervis Spann
Price_€100 and above
PS=Active
race
racial
recordings
records
show
softlaunch
Son Seals
South Side
Sugar Blue
the Kingston Mines
Theresa's Tavern
traditional
white
Willie Dixon

Product details

  • ISBN 9780252040085
  • Weight: 481g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Feb 2016
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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In the late 1970s and early 1980s, British blues fan Alan Harper became a transatlantic pilgrim to Chicago. "I've come here to listen to the blues," he told an American customs agent at the airport, and listen he did, to the music in its many styles, and to the men and women who lived it in the city's changing blues scene. Harper's eloquent memoir conjures the smoky redoubts of men like harmonica virtuoso Big Walter Horton and pianist Sunnyland Slim. Venturing from stageside to kitchen tables to the shotgun seat of a 1973 Eldorado, Harper listens to performers and others recollect memories of triumphs earned and chances forever lost, of deep wells of pain and soaring flights of inspiration. Harper also chronicles a time of change, as an up-tempo, whites-friendly blues eclipsed what had come before, and old Southern-born black players held court one last time before an all-conquering generation of young guitar aces took center stage.
Alan Harper is a writer, editor, and publisher living in the United Kingdom.

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