Walks in the World

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A01=Roger Gilbert
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Allegory
Antithesis
Arrival and Departure
Author_Roger Gilbert
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Bathos
Blurb
Calculation
Category1=Non-Fiction
Category=DSBH
Category=DSC
Charles Olson
Charles Reznikoff
Cogito ergo sum
Conceit
Consciousness
Consummation
COP=United States
Dasein
De jure
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Digression
Enjambment
Epilogue
Epithet
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eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Essay
Etymology
Evocation
Excursus
Fabulation
Figure of speech
Foray
Foregrounding
Gary Snyder
Genre
Georgics
Gerund
God
Grongar Hill
Handbook
Idealization
Illustration
Imagery
Immanence
Inception
J. Hillis Miller
John Ashbery
Join Me
Jonathan Culler
Kenneth Burke
Land and Water
Language_English
M. H. Abrams
Metonymy
Narration
Narrative
New Thought
Nominalism
On the Universe
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Parable
Philip Larkin
Poetry
Precognition
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Prose
Prothalamion
PS=Active
Reality principle
Rhyme
Robert Penn Warren
Running
Sense of Place
Simile
softlaunch
Spirit of place
Synecdoche
Temporality
Thematic elements
Train of thought
Transcendentalism
William Blake

Product details

  • ISBN 9780691602493
  • Weight: 425g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Jul 2014
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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In the twentieth century no form of experience has been more frequently taken up by poets eager to capture both the openness and fluidity of life and the aesthetic closure of an artwork than that of a walk. Examining the walk poem, Roger Gilbert contends that at its heart is the "desire to keep what we have lived." What is the appeal of the walk poem for modern American poets? According to Gilbert, it provides a ready-made frame within which to explore the full range of individual consciousness as it responds to and reflects on the world immediately at hand. The unstructured, plotless character of the walk allows poets to move freely from place to place, image to image, thought to thought. Suggesting that the walk poem strikes a compromise between the American obsession with process or movement and more traditionally mimetic concerns, Gilbert shows how it enables the poet to apprehend the world as horizon rather than landscape. Through perceptive and extended analyses of walk poems by Frost, Stevens, Williams, Roethke, Bishop, O'Hara, Snyder, Ammons, and Ashbery, he uncovers a spectrum of representational strategies for transforming passing experiences into the more lasting substance of poetry. Walks in the World addresses anyone who takes poetry seriously. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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