Wallace Stevens and the Realities of Poetic Language

Regular price €40.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Paul D. Toth
A01=Stefan Holander
Actual Backgrounds
American Sublime
Applied Linguistics
Author_Paul D. Toth
Author_Stefan Holander
Barbaric Yawp
blue
Blue Guitar
blues
Category=D
Category=DS
Category=DSBH
Category=DSC
Chapter III
clover
Dirty Sail
Donald Wesling
Drawn Back
Du Mal
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Free Verse
Functional Languages
Grammar
guitar
High Ship
iambic
key
linguistic aesthetics
literary epistemology
man
metaphor theory
modernist poetry analysis
Noble Rider
nonsemantic poetic language interpretation
owl's
Owl's Clover
Owl’s Clover
Paul David Toth
pentameter
poetic creativity research
Poetic Language
Poetry
prosody and rhythm studies
Scarlet Pimpernel
Scrawny Cry
Second Language Development
Second Language Learning
Shakespeare's Richard III
Shakespeare’s Richard III
SLA
Slavic Formalists
Snow Man
Verse Line
Vice Versa
Winged Horses
with
Young Men

Product details

  • ISBN 9780415876650
  • Weight: 460g
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Nov 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This study examines Wallace Stevens' ideas and practice of poetic language with a focus on the 1930s, an era in which Stevens persistently thematized a keenly felt pressure for the possible social involvement and political utility of poetic language. The argument suggests how mutually implicated elements of his poetry such as diction, prosody and metaphor are relied on to signify or enact aesthetic closure; both in the negative terms of expressive impotence and unethical isolation and the positive ones of imaginative and linguistic change. In this respect, the study deals closely with the epistemologically and ethically fraught issue of the ambiguous and volatile role of non-semantic elements and linguistic difficulty in Stevens' language. Assuming that these facets are not exclusive to this period but receive a very clear, and therefore instructive, formulation in it, the discussion outlines some of Stevens' most central tropes for poetic creativity at this stage of his career, suggesting ways in which they came to form part of his later discourse on poetic functionality, when polemical concepts for the imagination, such as "evasion" and "escapism," became central. Stevens' prosody is discussed from within an eclectic analytical framework in which cumulative rhythmics is complemented by traditional metrics as a way of doing justice to his rich, varied and cognitively volatile use of verse language. The expressive potency of prosodic patterning is understood both as an effect of its resistance to semantic interpretation and by assuming a formal drive to interpret them in relation to the semantic and metaphoric staging of individual poems. A poem, in turn, is understood both as a strategic, stylistically deviant response to the challenges of a particular historical moment, and as an attempt to communicate through creating a sense of linguistic resistance and otherness.

Stefan Holander is currently working as Associate Professor at Finnmark University College, North Norway. His article, "Between Categories: Modernist and Postmodernist Appropriations of Wallace Stevens", was published in the anthology Rethinking Modernism

More from this author