Regular price €18.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Elena Gorfinkel
Author_Elena Gorfinkel
Category=ATF
Category=ATFA
Category=ATFG
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction

Product details

  • ISBN 9781839023040
  • Weight: 189g
  • Dimensions: 134 x 190mm
  • Publication Date: 01 May 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Actor-turned-writer/director Barbara Loden's only feature film, Wanda (1970), tells the story of an alienated working-class woman, Wanda Goronski (played by Loden), who abandons her life as a coal miner’s wife and mother, electing instead to drift. Bracing in its realist texture and proto-feminist in its sensibility, it received critical acclaim upon release, winning the Critics’ Prize at the Venice Film Festival in 1970. Today, Wanda is considered one of the most notable films made by a woman director and a core work of American independent cinema.

Elena Gorfinkel's study of this singular film traces Loden's creative process and unconventional approach to filmmaking. Drawing on archival sources, including scripts, interviews, production records, oral history, and previously unseen ephemera, she examines the film’s de-dramatised aesthetic, one that rebukes the artifice and “slickness” of Hollywood. Gorfinkel considers Loden’s craft in her framing of cinematic time, manipulation of gesture, voice, and posture, narrative ellipsis, and in her use of location and non-professional actors. Providing an account of Wanda's exhibition and reception in the 1970s and after, she traces the film's feminist legacies, and its lasting influence on contemporary filmmakers, artists and writers.

Elena Gorfinkel is Reader in Film Studies at King’s College London. She is the author of Lewd Looks: American Sexploitation Cinema in the 1960s (2017); co-author with John David Rhodes of The Prop, (2025); and co-editor of Taking Place: Location & the Moving Image (Minnesota, 2011), and Global Cinema Networks (2018).

More from this author