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A01=Jeanne-Marie Viljoen
aesthetic
Aesthetic Forms
affect theory
Affective Knowing
Alternate Reality Games
Animated Documentaries
animated documentary research
Author_Jeanne-Marie Viljoen
Ben Yishai
Black Gutters
cartoon studies
Category=CBV
Category=DSBH
cognition
comic studies
comics
documentary
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethical Re-orientation
Footnotes in Gaza
gaza strip
Gnomonic Projections
graphic narratives
graphic nonfiction analysis
graphic novel
Graphic Novels
Haptic Vision
historical accuracy
Ineffable Aspects
Levant conflict studies
Live Action Films
Live Action Footage
maus
memory loss
Non-fictional Form
Non-representational Knowledge
Painterly Forms
Performative Truth
philosophical perspective
postcolonial literature
postcolonial perspective
postcolonial studies
postcolonial violence studies
representation
Representational Process
Sacco's Approach
Sacco’s Approach
Shatila Massacre
systemic violence
trauma
trauma criticism
trauma representation theory
Uncontrollable Fear
violence in literature
violence literature
violence studies
Visual Narrative Forms
visual trauma narratives
visualizing ineffable trauma experiences
Waltz with Bashir
War Art
war genre
War photographs
war time literature
Young Man
Zizek

Product details

  • ISBN 9780367533168
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book focuses on non-fictional, visual narratives (including comics; graphic narratives; animated documentaries and online, interactive documentaries) that attempt to represent violent experiences, primarily in the Levant. In doing so it explores, from a philosophical perspective, the problem of representing trauma when language seems inadequate to describe our experiences and how the visual narrative form may help us with this. The book uses the concept of the ineffable to expand the notion of representation beyond the confines of a western, individualist notion of trauma as event based. In so doing, it engages a postcolonial perspective of trauma, which treats violence as ongoing and connected to several incidents of violence across time and space. This book demonstrates how the formal qualities of visual, non-fiction may help close the gap between representation and experience through the process of ‘dark’ writing.

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