Warning Shadows

Regular price €31.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Anjeana K. Hans
A01=Professor Anjeana K. Hans
Age Group_Uncategorized
Age Group_Uncategorized
Author_Anjeana K. Hans
Author_Professor Anjeana K. Hans
automatic-update
Category1=Non-Fiction
Category=APFA
Category=ATFA
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film
film history
gender norms
hypnosis
infidelity
jealousy
Language_English
PA=Available
Price_€20 to €50
PS=Active
shadow play
silent movies
softlaunch
spectatorship
unique art form
Weimar cinema
Weimar culture

Product details

  • ISBN 9781640140912
  • Weight: 162g
  • Dimensions: 133 x 191mm
  • Publication Date: 15 Sep 2021
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
A view of a long-neglected classic of Weimar cinema - now restored and widely available - as both a gripping narrative of infidelity and jealousy and a film inherently about film. Artur Robison's Warning Shadows - in German simply Schatten, shadows - premiered in 1923 to critical acclaim. This story of a fateful dinner party at which a flirtatious wife, her jealous husband, and their guests are entertained by a traveling illusionist who deals in shadow play and hypnosis was extolled by one critic as superior to Wegener's Golem, Lubitsch's Passion, even Murnau's Nosferatu and Wiene's The Cabinet of Dr. Caligari. Yet where those films became mainstays of film history, Warning Shadows was long unknown: only recently, with the release of a restored version on DVD, has it begun to get its due. One of the few silent movies to eschew intertitles, it was an attempt to create a "pure film," drawing on the qualities of cinema that made it not an heir to literature or theater but a unique and autonomous art form. Staging a story of desire, adultery, and violence, Robison's film also engaged with discourses at the heart of Weimar culture, from changing gender norms to hysteria and hypnosis to the construction of spectatorship. Seen this way, Warning Shadows is both a gripping narrative of infidelity and jealousy and a film inherently about film.
Anjeana K. Hans is Associate Professor of German Studies at Wellesley College.

More from this author