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Warrior's Camera
A01=Stephen Prince
Acting
Akira Kurosawa
Ambivalence
Art film
Author_Stephen Prince
Awareness
Benkei
Bertolt Brecht
Career
Cataclysm (Dragonlance)
Category=ATFB
Cinema of the United States
Cinematography
Citizen Kane
Close-up
David Bordwell
Dersu Uzala
Determination
Donald Keene
Donald Richie
Drunken Angel
Editing
Edo period
Episode
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Film
Film studies
Filmmaking
His Family
Ideology
Ikiru
Individualism
Irony
Japanese literature
Kagemusha
Literature
Melodrama
Mifune
Modernity
Narrative
Narrative structure
Noh
Oda Nobunaga
Optimism
Pessimism
Red Beard
Rhapsody in August
Sam Peckinpah
Screen direction
Sensibility
Sergio Leone
Seven Samurai
Social reality
Something Like an Autobiography
Struggle (TV series)
Subjectivity
Suffering
Susumu Fujita
Takashi Shimura
Tatsuya Nakadai
Telephoto lens
The Hidden Fortress
The Lower Depths
The Other Hand
The Remaining
The Tale of the Heike
Throne of Blood
Tracking shot
Watanabe
Westernization
World War II
Writing
Zaibatsu
Product details
- ISBN 9780691010465
- Weight: 624g
- Dimensions: 152 x 235mm
- Publication Date: 14 Nov 1999
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Paperback
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The Japanese film director Akira Kurosawa, who died at the age of 88, has been internationally acclaimed as a giant of world cinema. Rashomon, which won both the Venice Film Festival's grand prize and an Academy Award for best foreign-language film, helped ignite Western interest in the Japanese cinema. Seven Samurai and Yojimbo remain enormously popular both in Japan and abroad. In this newly revised and expanded edition of his study of Kurosawa's films, Stephen Prince provides two new chapters that examine Kurosawa's remaining films, placing him in the context of cinema history. Prince also discusses how Kurosawa furnished a template for some well-known Hollywood directors, including Martin Scorsese, Steven Spielberg, and George Lucas. Providing a new and comprehensive look at this master filmmaker, The Warrior's Camera probes the complex visual structure of Kurosawa's work. The book shows how Kurosawa attempted to symbolize on film a course of national development for post-war Japan, and it traces the ways that he tied his social visions to a dynamic system of visual and narrative forms.
The author analyzes Kurosawa's entire career and places the films in context by drawing on the director's autobiography--a fascinating work that presents Kurosawa as a Kurosawa character and the story of his life as the kind of spiritual odyssey witnessed so often in his films. After examining the development of Kurosawa's visual style in his early work, The Warrior's Camera explains how he used this style in subsequent films to forge a politically committed model of filmmaking. It then demonstrates how the collapse of Kurosawa's efforts to participate as a filmmaker in the tasks of social reconstruction led to the very different cinematic style evident in his most recent films, works of pessimism that view the world as resistant to change.
Stephen Prince is Associate Professor of Communication Studies at Virginia Tech. His recent books include Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies.
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