A01=Stephen Bann
Antonin Proust
art historiography
Author_Stephen Bann
avant-garde movements
bann
Bann's Account
Bann’s Account
bargrave
Ben Lomond
Caddis Fly Larvae
Category=AB
Category=JBCC
Category=NH
damisch
Deborah Cherry
Des Beaux Arts
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
experimental art analysis
French Poet Charles Baudelaire
Gazette Des Beaux Arts
Grand Prix De Rome
Hippolyte Flandrin
historical epistemology
hubert
Hubert Damisch
jannis
Jannis Kounellis
john
John Bargrave
kounellis
Le Martyre De Saint
Manet's Modernism
Manet's Painting
Manet's Work
Manet’s Painting
Manet’s Work
modernist rupture interpretation
Napoleon III
painting
Paul Delaroche
Picasso's Woman
Picasso’s Woman
Proportionate Dividend
Prospective Commentator
Saint Symphorien
Schematic Rupture
stephen
surrealist aesthetics
visual culture theory
western
Young Man
Product details
- ISBN 9780415974226
- Weight: 430g
- Dimensions: 140 x 210mm
- Publication Date: 21 Dec 2006
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Stephen Bann examines the arguments for the centrality of French modernist painting. He begins by focusing particularly on the notion of the modernist break, as it has been interpreted with regard to painters like Manet and Ingres. He argues that ‘curiosity’, with its origins in the seventeenth-century world-view can be a valid concept for understanding some aspects of contemporary art that contest the modern, suggesting ways of sidetracking the modern by adopting a lengthier historical view.
Stephen Bann, Margaret MacNamidhe
