Ways of Seeing After Dark

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A01=Kyle Parry
art
Author_Kyle Parry
Blackness
capitalism
Category=ABA
Category=QDTN
dark times
darkness
digital
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
John Berger
light pollution
marketing
media theory
moon
night
nocturnal
race
technology
vision
visual culture

Product details

  • ISBN 9781517922146
  • Weight: 113g
  • Dimensions: 127 x 178mm
  • Publication Date: 24 Nov 2026
  • Publisher: University of Minnesota Press
  • Publication City/Country: US
  • Product Form: Paperback
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Rethinking darkness through the politics and possibilities of vision

Darkness is widely misunderstood, argues Kyle Parry. We take darkness as the enemy of sight, yet we can't see without it. We call the worst parts of our lives dark, yet we wouldn't be here without wombs, skulls, oceans, the moon, and other shadowed places. Ways of Seeing After Dark contends that darkness is not absence but presence, shaping how worlds are sensed, inhabited, and understood. Darkness brings peril, but it is also a fundamental, if increasingly threatened, condition of living together on this planet.

Tracing links between John Berger's influential Ways of Seeing and his more poetic later writings, Parry recasts contemporary conditions defined by light pollution, digital mediation, and racialized regimes of seeing. In dialogue with artists, critics, and astronomers, Ways of Seeing After Dark examines how fear of darkness is built rather than universal and how such training intersects with broader social structures, including racism and capitalism. Showing how "felt darkness displaces physical darkness" and "brighter nights bring darker days," Parry reveals the dark as a multifaceted phenomenon with political and perceptual significance, calling for new ways of seeing with and through the night.

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Kyle Parry is associate professor of history of art and visual culture at the University of California, Santa Cruz. He is author of A Theory of Assembly: From Museums to Memes (Minnesota, 2023).

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