Weeping for Dido

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A01=Marjorie Curry Woods
Aarne-Thompson classification systems
Abbreviation
Abigail Adams
Accademia dei Lincei
Achilleid
Aeneid
Age Group_Uncategorized
Age Group_Uncategorized
Ars Poetica (Horace)
Author_Marjorie Curry Woods
automatic-update
Biblioteca Casanatense
Biblioteca Vallicelliana
Bodleian Library
British Library
Calchas
Career
Carmina Burana
Category1=Non-Fiction
Category=DSBB
Category=HB
Category=HD
Category=N
Characterization
Christopher de Hamel
Classical tradition
Classroom
COP=United States
Couplet
Creusa
De Inventione
Deed
Delivery_Delivery within 10-20 working days
Despair (novel)
Dido and Aeneas
Dido's Lament
Elegiac comedy
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exordium (rhetoric)
Feeling
Glossator
Harvard University Press
Humanities
Ilias Latina
Ilioneus
Interlinear gloss
Lament
Language_English
Librarian
Life of Homer (Pseudo-Herodotus)
Literature
Manuscript
Max Planck Institute for Human Development
Medieval Latin
Ms.
Narration
Narrative
Oxford University Press
PA=Available
Pamphilus de amore
Pedagogy
Pity
Poetry
Price_€20 to €50
Princeton University Press
Priscian
Progymnasmata
Protesilaus
PS=Active
Punctuation
Pyramus and Thisbe
Quintilian
Rhetoric
Rhetorica ad Herennium
Rosamond McKitterick
S. (Dorst novel)
Sexual violence
softlaunch
Sophocles
Stanley Lombardo
Terence
Treatise
Troilus and Criseyde
Trojan War
Verb
William of Champeaux
Writing

Product details

  • ISBN 9780691170800
  • Dimensions: 140 x 216mm
  • Publication Date: 05 Feb 2019
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Saint Augustine famously “wept for Dido, who killed herself by the sword,” and many later medieval schoolboys were taught to respond in similarly emotional ways to the pain of female characters in Virgil’s Aeneid and other classical texts. In Weeping for Dido, Marjorie Curry Woods takes readers into the medieval classroom, where boys identified with Dido, where teachers turned an unfinished classical poem into a bildungsroman about young Achilles, and where students not only studied but performed classical works.

Woods opens the classroom door by examining teachers’ notes and marginal commentary in manuscripts of the Aeneid and two short verse narratives: the Achilleid of Statius and the Ilias latina, a Latin epitome of Homer’s Iliad. She focuses on interlinear glosses—individual words and short phrases written above lines of text that elucidate grammar, syntax, and vocabulary, but that also indicate how students engaged with the feelings and motivations of characters. Interlinear and marginal glosses, which were the foundation of the medieval classroom study of classical literature, reveal that in learning the Aeneid, boys studied and empathized with the feelings of female characters; that the unfinished Achilleid was restructured into a complete narrative showing young Achilles mirroring his mentors, including his mother, Thetis; and that the Ilias latina offered boys a condensed version of the Iliad focusing on the deaths of young men. Manuscript evidence even indicates how specific passages could be performed.

The result is a groundbreaking study that provides a surprising new picture of medieval education and writes a new chapter in the reception history of classical literature.

Marjorie Curry Woods is the Jane and Roland Blumberg Centennial Professor of English, Professor of Comparative Literature, and University Distinguished Teaching Professor at the University of Texas at Austin. She is the author of An Early Commentary on the “Poetria nova” of Geoffrey of Vinsauf and Classroom Commentaries: Teaching the “Poetria nova” across Medieval and Renaissance Europe.

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