Weimar Slapstick and Hollywood Comedy Transformed

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A01=Paul Flaig
American comedy influence in Europe
Author_Paul Flaig
Category=ATFA
Category=ATMC
Chaplin Keaton Marx Brothers in Weimar
Charlie Chaplin and Weimar culture
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Hollywood comedy in Germany
interwar film culture
slapstick and modernity
Weimar avant-garde and film
Weimar cinema and slapstick

Product details

  • ISBN 9781350439153
  • Weight: 621g
  • Dimensions: 158 x 236mm
  • Publication Date: 02 Oct 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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From cabaret songs inspired by Buster Keaton to Mickey Mouse’s diagnosis as a “melo-maniac,” Weimar Slapstick and Hollywood Comedy Transformed explores the extraordinary appeal of American slapstick, cartoon, and screwball comedies during and after Germany’s Weimar Republic. Bridging two crucial sites of interwar modernity, Paul Flaig offers a fundamental reassessment of Weimar culture, Hollywood comedy, and their intertwined legacies.

Through a series of comic pairings—including Harold Lloyd and Curt Bois, Felix the Cat and psychotechnics—Flaig investigates the aesthetic, political and sexual forces that shaped Weimar Germany’s fascination with American film comedies, as they were taken up and transformed by German filmmakers, philosophers, advertisers, artists, and politicians. Examining a wide range of sources—including films, manifestoes, arts journals, feuilletons, and trade press reports—he underscores the essential and diverse contributions of Weimar culture to our understanding of these comic laboratories of modernity.

Paul Flaig is Lecturer in Film Studies at the University of St. Andrews, UK. He is the co-editor of New Silent Cinema (2015) and his writing has appeared in Journal of Cinema and Media Studies, Camera Obscura, Cinema Journal, Animation and Screen. He is co-director of the German Screen Studies Network.

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