Welcome to Painterland

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A01=Anastasia Aukeman
Age Group_Uncategorized
Age Group_Uncategorized
allen ginsberg
american artistic culture
american culture
art
art of assemblage
artists
Author_Anastasia Aukeman
automatic-update
bruce conner
california artist community
california modernism
Category1=Non-Fiction
Category=ACXJ
Category=AGA
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fillmore artists
galleries of fillmore
jay defeo
joan brown
Language_English
manuel neri
michael mcclure
PA=Available
painterland
paintings
Price_€20 to €50
provocative art
PS=Active
radical art
radicalism
rat bastard protective association
rat bastards in painterland
san francisco artist
softlaunch
wally hedrick
woodshedding

Product details

  • ISBN 9780520289451
  • Dimensions: 178 x 254mm
  • Publication Date: 09 Aug 2016
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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The Rat Bastard Protective Association was an inflammatory, close-knit community of artists who lived and worked in a building they dubbed Painterland in the Fillmore neighborhood of midcentury San Francisco. The artists who counted themselves among the Rat Bastards-which included Joan Brown, Bruce Conner, Jay DeFeo, Wally Hedrick, Michael McClure, and Manuel Neri - exhibited a unique fusion of radicalism, provocation, and community. Geographically isolated from a viable art market and refusing to conform to institutional expectations, they animated broader social and artistic discussions through their work and became a transformative part of American culture over time. Anastasia Aukeman presents new and little-known archival material in this authorized account of these artists and their circle, a colorful cultural milieu that intersected with the broader Beat scene.
Anastasia Aukeman is an art historian and curator who teaches at Parsons School of Design in New York City. She has contributed essays to numerous exhibition catalogues and written articles and reviews for Art in America, Art on Paper, and ARTnews, among other publications.

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