Wes Anderson

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A01=Donna Kornhaber
actors in Wes Anderson films
actresses in Wes Anderson films. Wesworld
adaptation
animation
aspect ratio
auteur theory
Author_Donna Kornhaber
Bill Murray
Bottle Rocket
Cahiers du cinema
Category=ATFA
Category=ATFX
Category=DNBF
cinematography
cinephilia
collecting
collection theory
comedy
contemporary cult directors
discussion of Wes Anderson films
DVD extras
editing
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_nobargain
eq_non-fiction
fan culture
fan films
Fantastic Mr. Fox
film history
frontality
ideas about Wes Anderson films
Jason Schwartzman
Luke Wilson
Moonrise Kingdom
Orientalism
Owen Wilson
Pauline Kael
popular music
race
race relations
Rushmore
silent film
special effects
stop-motion animation
stories about Pauline Kael
The Darjeeling Limited
The Grand Budapest Hotel
The Life Aquatic with Steve Zissou
The Royal Tenenbaums
theories about Wes Anderson films
Walter Benjamin
Wes Anderson
Wes Anderson and collecting
Wes Anderson and indie film
Wes Anderson and Pauline Kael
Wes Anderson collaborators
Wes Anderson screenplays

Product details

  • ISBN 9780252041181
  • Weight: 399g
  • Dimensions: 140 x 210mm
  • Publication Date: 16 Aug 2017
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
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The Grand Budapest Hotel and Moonrise Kingdom have made Wes Anderson a prestige force. Rushmore and The Royal Tenenbaums have become quotable cult classics. Yet every new Anderson release brings out droves of critics eager to charge him with stylistic excess and self-indulgent eclecticism.

Donna Kornhaber approaches Anderson's style as the necessary product of the narrative and thematic concerns that define his body of work. Using Anderson's focus on collecting, Kornhaber situates the director as the curator of his filmic worlds, a prime mover who artfully and conscientiously arranges diverse components into cohesive collections and taxonomies. Anderson peoples each mise-en-scéne in his ongoing ""Wesworld"" with characters orphaned, lost, and out of place amidst a riot of handmade clutter and relics. Within, they seek a wholeness and collective identity they manifestly lack, with their pain expressed via an ordered emotional palette that, despite being muted, cries out for attention. As Kornhaber shows, Anderson's films offer nothing less than a fascinating study in the sensation of belonging--told by characters who possess it the least.

Donna Kornhaber is an associate professor of English at the University of Texas at Austin. She is the author of Charlie Chaplin, Director.

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