Western

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A01=David Lusted
academic study of Western cinema
American frontier studies
Author_David Lusted
Blue Grass
boetticher
budd
bunch
Category=ATF
Category=JBCT
Category=NH
Cavalry Western
Cheyenne Autumn
cinematic narrative theory
Country Music
Covered Wagon
Cowboy Star
cultural mythmaking
Dead Man
Dime Novel
Dystopian Science Fiction Film
Epic Westerns
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film
film criticism
film genre analysis
filmography
Gangster Film
genre historiography
Great Train Robbery
Grey Fox
hero
Iron Horse
Italian Westerns
nineteenth-century America
Ox Bow Incident
peckinpah
romance
sam
series
Series Westerns
Shot Liberty Valance
visual imagining
visual storytelling techniques
Wagon Train
Western Film
Western Film Production
Western Hero
wild
Wild Men
Wild West Show
Young Man

Product details

  • ISBN 9781138171701
  • Weight: 780g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Apr 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Western introduces the novice to the pleasures and the meanings of the Western film, shares the excitement of the genre with the fan, addresses the suspicions of the cynic and develops the knowledge of the student. The Western is about the changing times of the Western, and about how it has been understood in film criticism. Until the 1980s, more Westerns were made than any other type of film. For fifty of those years, the genre was central to Hollywood's popularity and profitability. The Western explores the reasons for its success and its latter-day decline among film-makers and audiences alike.

Part I charts the history of the Western film and its role in film studies. Part II traces the origins of the Western in nineteenth-century America, and in its literary, theatrical and visual imagining. This sets the scene to explore the many evolving forms in successive chapters on early silent Westerns, the series Western, the epic, the romance, the dystopian, the elegiac and, finally, the revisionist Western. The Western concludes with an extensive bibliography, filmography and select further reading.

Over 200 Westerns are discussed, among them close accounts of classics such as Duel in the Sun, The Wild Bunch and Unforgiven, formative titles like John Ford's epic The Iron Horse, and early cowboy star William S. Hart's The Silent One together with less familiar titles that deserve wider recognition, including Comanche Station, Pursued and Ulzana's Raid.

David Lusted

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