Western China on Screen

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A01=Hongyan Zou
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Author_Hongyan Zou
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Category1=Non-Fiction
Category=APF
Category=ATF
Chinese cinema
cinematic cities
COP=United Kingdom
Delivery_Delivery within 10-20 working days
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eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film locations
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch
space and cinema
thirdspace
Western China

Product details

  • ISBN 9781474477864
  • Dimensions: 156 x 234mm
  • Publication Date: 06 Feb 2023
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Explores the relationship between cinema and the cities of Western China Bridges the gap where the cinematic landscape in China has long been dominated by developed metropolises Breaks the cinematic stereotypes of the region characterised by rural and ethnographic images in films such as Yellow Earth (dir. Chen Kaige, 1984) and Old Well (dir. Wu Tianming, 1987) by adding the urban facets of western China Explores four Han-dominated urban centres of western China (Chongqing, Chengdu, Xi'an and Lanzhou) represented in films investigating material spaces Discusses class, gender, post-colonialism and the history of post-socialism Exploring the stories, memories and experiences attached to places, Western China on Screen is the first monograph to explore the affinity between the cinema and cities of western China through a spatial perspective. Investigating how cinematic cities in western China appear as both spaces of national power and enclosed spaces of traditional cultural values, the book diversifies the glamourised image of the post-socialist, technocratic metropolises of Beijing and Shanghai, breaking the long-existing rural and ethnographical images of western China established by Chinese Fifth Generation directors. Through case studies of films such as Rainclouds Over Wushan (1996), Buddha Mountain (2010) and Weaving Girl (2010), the book establishes a new way of looking at western urban China on screen: from a space of production to a space of increasing consumption.
Hongyan Zou is a lecturer at the Foreign Language School of Sichuan University, China. She is the co-author of the book Chapter “Chinese films and the sense of place: Beijing as ‘Thirdspace’ from In the Heat of the Sun to Mr. Six” in the edited book Making Publics, Making Places (University of Adelaide Press, 2016). Her research focuses on the dynamic relationship between cinema and cities, Chinese urban cinema, Chinese minority films and Chinese Westerns.

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