What Curators Know

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Art museums
Arts Sciences Technology Studies
Category=GLZ
Curation
Curatorial studies
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Exhibition studies
forthcoming
Media arts
Museology
Museum exhibits
Museum studies
Science museums
Visual culture

Product details

  • ISBN 9798765162088
  • Weight: 840g
  • Dimensions: 158 x 232mm
  • Publication Date: 06 Aug 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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This book argues for the role of curators as knowledge-makers across a number of fields. While the focus is on multidisciplinary curators, particularly those who work with combinations of science, technology, and art, it also points toward the history of curation to tease out the ways that multidisciplinary work has always been part of the collector’s, and later, the curator’s role, functionally integrating curatorial and interdisciplinary studies. This novel application of Arts Sciences Technology Studies (ASTS) ideas to curatorial studies is timely because it reaches beyond the analysis of the use of images by scientists or the ways art may be employed to improve the public understanding of science to offer a much-needed explanation of how actors position their work as art or science, considering the persistence of overlapping practices used in both communities. By providing an interdisciplinary look at curatorial practice in the context of the STS idea of knowledge-making, this book will be singular in the field.
What Curators Know will appeal to scholars of STS, the history of art, the history of science, museology, and visual culture as well as museum professionals, curators, and policymakers. The book engages literature in the contemporary arts, digital culture, computing history, medical humanities, media arts, museum studies, natural history, and political and public art. Practitioners working in curatorial or curatorial-adjacent professions, as well as administrators with art and science interests, will also find the text useful.

Hannah Star Rogers is a visiting scholar at the University of Edinburgh, an instructor at the University of Virginia, and a postdoctoral fellow at the University of Copenhagen. Rogers holds a PhD from Cornell University in Science and Technology Studies and an MFA from Columbia University. Rogers is lead editor for the Routledge Handbook of Art, Science, and Technology Studies (2021), and MIT Press published her monograph Art, Science, and the Politics of Knowledge in 2022. Rogers has curated numerous exhibitions, including Emerge (2016), Shadows and Ashes (2018), Art’s Work in the Age of Biotechnology (2017-2021), and Making Science Visible (2012), which received an exhibition prize from the British Society for the History of Science.