A01=Mark Roskill
academic perspectives on art
academic study of art
aesthetic analysis methods
analytical frameworks for art
approaches to art scholarship
art historical inquiry
art historical writing techniques
art historiography approaches
art history methods
art history pedagogy
art theory and history
Author_Mark Roskill
Category=AGA
comparative art studies
contextual art studies
critical thinking in art studies
critique and evaluation of artworks
development of art theory
eq_art-fashion-photography
eq_bestseller
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eq_non-fiction
evaluating artistic movements
evolution of art history discipline
examining artistic influence
formalism in art interpretation
foundations of art scholarship
historical and cultural context in art
historical context in art
historical methodology in visual arts
historiography of art
history of artistic styles
iconography and symbolism study
interdisciplinary approaches to art
interdisciplinary art studies
interpreting architecture and design
interpreting paintings and sculpture
introduction to visual analysis
methodology in art research
methodology of cultural analysis
museum and gallery analysis
narrative in visual arts
principles of art analysis
principles of art criticism
research in visual culture
research strategies in art history
scholarly art discourse
studying artworks critically
theoretical approaches to art
theory of art interpretation
understanding artistic meaning
understanding visual culture
visual culture scholarship
visual interpretation frameworks
visual literacy development
Product details
- ISBN 9780870236754
- Weight: 328g
- Dimensions: 153 x 228mm
- Publication Date: 18 Sep 1989
- Publisher: University of Massachusetts Press
- Publication City/Country: US
- Product Form: Hardback
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The author has written a new introduction to his book. In it he defines the scope, high degree of skill and professional discipline coupled with increasing scientific methods utilized by today's art historian in order to establish criteria and to develop aesthetic perception. Instead of attempting to describe art history in terms of concepts and abstractions, the author gives the reader a set of case histories.
