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What Saves Us
What Saves Us
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A32=Benjamin Balthaser
A32=Doug Anderson
A32=Jan Beatty
A32=Julia Alvarez
A32=Naomi Ayala
A32=Rafael Campo
A32=Richard Blanco
A32=Sean Bates
A32=Tara Betts
activism
activist poetry
Age Group_Uncategorized
Age Group_Uncategorized
American politics
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B01=Martin Espada
Category1=Non-Fiction
Category=DCC
Category=DCQ
COP=United States
corruption
criminal justice reform
dehumanization
Delivery_Delivery within 10-20 working days
diversity
Donald Trump
eq_bestseller
eq_biography-true-stories
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
first generation
gun violence
humanity
immigration
labor movement
labor rights
Language_English
liberation
marginalization
mass shootings
migrant work
misogyny
outrage
PA=Available
persecution
poems
poetics
poetry
poetry anthology
poetry collections
police brutality
political activism
political corruption
Price_€20 to €50
protest
protest anthology
PS=Active
resistance
social injustice
social justice
softlaunch
trump era
trumpian
verse
violence against women
womens rights
Product details
- ISBN 9780810140776
- Weight: 439g
- Dimensions: 152 x 226mm
- Publication Date: 15 Oct 2019
- Publisher: Northwestern University Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
This is an anthology of poems in the Age of Trump—about much more than Trump. These are poems that either embody or express a sense of empathy or outrage, both prior to and following his election, since it is empathy the president lacks and outrage he provokes.
There is an extraordinary diversity of voices here. The ninety-two poets featured include Juan Felipe Herrera, Richard Blanco, Carolyn Forché, Patricia Smith, Robert Pinsky, Donald Hall, Elizabeth Alexander, Ocean Vuong, Marge Piercy, Yusef Komunyakaa, Brian Turner, and Naomi Shihab Nye. They speak of persecuted and scapegoated immigrants. They bear witness to violence: police brutality against African Americans, mass shootings in a school or synagogue. They testify to poverty, the waitress surviving on leftovers at the restaurant, the battles of a teacher in a shelter for homeless mothers, the emergency-room doctor listening to the heartbeats of his patients. There are voices of labor, in the factory and the fields. There are prophetic voices, imploring us to imagine the world we will leave behind in ruins lest we speak and act.
However, this is not merely a collection of grievances. The poets build bridges. One poet steps up to translate in Arabic at the airport; another declaims a musical manifesto after the hurricane that devastated his island; another evokes a demonstration in the street, an ecstasy of defiance, the joy of resistance.
The poets take back the language, resisting the demagogic corruption of words themselves. They assert our common humanity.
There is an extraordinary diversity of voices here. The ninety-two poets featured include Juan Felipe Herrera, Richard Blanco, Carolyn Forché, Patricia Smith, Robert Pinsky, Donald Hall, Elizabeth Alexander, Ocean Vuong, Marge Piercy, Yusef Komunyakaa, Brian Turner, and Naomi Shihab Nye. They speak of persecuted and scapegoated immigrants. They bear witness to violence: police brutality against African Americans, mass shootings in a school or synagogue. They testify to poverty, the waitress surviving on leftovers at the restaurant, the battles of a teacher in a shelter for homeless mothers, the emergency-room doctor listening to the heartbeats of his patients. There are voices of labor, in the factory and the fields. There are prophetic voices, imploring us to imagine the world we will leave behind in ruins lest we speak and act.
However, this is not merely a collection of grievances. The poets build bridges. One poet steps up to translate in Arabic at the airport; another declaims a musical manifesto after the hurricane that devastated his island; another evokes a demonstration in the street, an ecstasy of defiance, the joy of resistance.
The poets take back the language, resisting the demagogic corruption of words themselves. They assert our common humanity.
MARTÍN ESPADA has published almost twenty books as a poet, editor, essayist, and translator. His latest collection of poems is called Vivas to Those Who Have Failed. He is the recipient of the 2018 Ruth Lilly Prize. He is the editor of the groundbreaking anthology Poetry Like Bread: Poets of the Political Imagination from Curbstone Press.
What Saves Us
€23.99
