Where is Art?

Regular price €51.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
Arte Povera
artwork
artworld ontology
AUB's Student
AUB’s Student
automatic-update
B01=Adam Geczy
B01=Sean Lowry
B01=Simone Douglas
Beatles
Category1=Non-Fiction
Category=AC
Category=AGA
contemporary art
COP=United Kingdom
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
evaluating dispersed contemporary artworks
event
experience
Fictional Bands
Follow
global
Held
Hizb Allah
Humla District
Ice Boat
identity
Language_English
location
materiality
mediation
MFA Program
multiples
new materialism theory
Niki De Saint Phalle
object
Original Color Photographs
PA=Temporarily unavailable
Perceptual Object
performance
performance art analysis
Philippine Islands
philosophy of aesthetics
Piper
post-conceptual
Price_€20 to €50
PS=Active
relation
relational aesthetics
Singapore Biennale
site-specific installation
softlaunch
space
Superimposing
temporality
time
Timeless
UN
Unstable
Vice Versa
Violating
when
where
Wo
work of art
Work's Remote Location
Work’s Remote Location

Product details

  • ISBN 9781032291666
  • Weight: 700g
  • Dimensions: 174 x 246mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Featuring chapters by a diverse range of leading international artists and theorists, this book suggests that contemporary art is increasingly characterized by the problem of where and when it is situated.

While much advanced artistic speculation of the twentieth-century was aligned with the question “what is art?,” a key question for many artists and thinkers in the twenty-first century has become “where is art?” Contributors explore the challenge of meaningfully identifying and evaluating works located across multiple versions and locations in space and time. In doing so, they also seek to find appropriate language and criteria for evaluating forms of art that often straddle other realms of knowledge and activity.

The book will be of interest to scholars working in art history, contemporary art, art criticism, and philosophy of art.

Simone Douglas is a Professor in the School of Art, Media, and Technology, Parsons School of Design, The New School, NY, NY where she directed the MFA Fine Arts program from 2009 to 2019.

Adam Geczy teaches at Sydney College of the Arts, University of Sydney.

Sean Lowry is Head of Critical and Theoretical Studies and Associate Director (Research) at Victorian College of the Arts, University of Melbourne.