Whistle Down the Wind

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1960s British film industry
A01=Josephine Botting
Alan Bates
archival film research
Author_Josephine Botting
Bernard Lee
black-and-white cinematography
British cinema
Bryan Forbes
Category=ATF
Category=ATFA
Category=ATFB
Category=ATFG
child actors in film
continuity and production roles
creative labour of women in film
crime drama
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
Hayley Mills
innocence and belief
Lancashire on film
literary adaptation
Malcolm Arnold score
Mary Hayley Bell
religious symbolism
Whistle Down the Wind (1961)

Product details

  • ISBN 9781805750581
  • Dimensions: 135 x 190mm
  • Publication Date: 03 Sep 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Based on Mary Hayley Bell’s 1958 novella, Bryan Forbes’s Whistle Down the Wind (1961) is a moving and compelling story of three siblings who find a stranger hiding in their family barn. Mistaking him for Jesus, they keep his presence a secret from the adults around them. Josephine Botting’s study places this remarkable film within the landscape of the British industry in the early 1960s and examines the ways Bell’s source material is adapted for the screen.

Botting assesses the creative contribution of Forbes to this critically acclaimed and much-loved British film. Shot almost entirely on location, its black and white camerawork uses the bleak Lancashire landscape as a haunting backdrop to its tale of innocence and faith. The use of both professional and amateur actors, furnished with humorous dialogue by writers Keith Waterhouse and Willis Hall, brings a unique authenticity to the depiction of rural life in Northern England.

Botting explores how the screenplay, cinematography, editing, musical score by Malcolm Arnold and use of sound contribute to the creation of an emotionally powerful narrative, yet one which avoids the sentimentality or ‘cuteness’ that child-centred films can suffer from. Botting traces the film’s critical reception and addresses its neglect in recent literature, along with its relationship to works such as Kes (1969), The Railway Children (1970) and El Espíritu de la Colmena (Víctor Eríce, 1973), which similarly present the adult world through the eyes of children.

Josephine Botting is a Curator at the BFI National Archive. She has programmed numerous seasons at BFI Southbank and oversees the monthly strand Projecting the Archive, showcasing 35mm rarities from the BFI collections. A regular contributor to BFI publications, she is the author of Adrian Brunel and British Cinema of the 1920s (2023) and has written widely for books and journals.

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