Whistler and Artistic Exchange between Japan and the West

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A01=Ayako Ono
Aestheticism
Author_Ayako Ono
Battersea Bridge
Burlington Fine Arts Club
Category=AB
Category=AGA
Category=NHF
Category=NHTB
Charles Pierre Baudelaire
Common Language
Cool Japan
cross-cultural modernism
cultural hybridity
East-West artistic exchange
Edmond De Goncourt
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exhibition Catalogue
Freer Gallery
globalisation in art history
Goncourt
Intangible Cultural Heritage
Japan British Exhibition
Japanese Art
Japanese Paintings
Japanese Style Painting
Japanese-Western art interactions research
Jules De Goncourt
Meiji period aesthetics
Meiji Restoration
modern Japanese art
Nihong
Rembrandt Harmenszoon Van Rijn
Sumida River
Taisho
Tokyo Geijutsu Daigaku
Tokyo School
Tonal Painting
Traditional Japanese Painting
Universal Beauty
Victorian
Waseda Bungaku
Whistler's Aestheticism
Whistler's Work
Whistler’s Aestheticism
Whistler’s Work
Yokoyama Taikan
Young Japanese Artists

Product details

  • ISBN 9781032380247
  • Weight: 280g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Apr 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Ono examines cross-cultural artistic exchange between the West and Japan from the late nineteenth century to the early twentieth century.

Studies of Japonisme have been dominated by searching out relationships of influence between artworks–trying to identify which specific works influenced a particular artist. Ono argues that a more holistic understanding of 'spillover effects' is necessary in fully comprehending the nuances of these relationships. She bases this argument on documents and works of art in the context of globalisation, looking at the relationships between James McNeill Whistler and others with their contemporaries in the Japanese artistic and literary worlds. This was a more complex two-way exchange than is often appreciated, with Western artists taking inspiration from (to them) new Japanese styles, while Japanese artists and writers were trying to craft a 'modern', more western-influences style to reflect the modern nation of Japan emerging onto the world stage after centuries of relative isolation.

A fascinating analysis of the role of globalisation and cultural exchange in the development of new and hybrid artforms, that will be essential reading for scholars of this fascinating period in international art history.

Ayako Ono is Associate Professor in the Faculty of Education at Shinshu University, Nagano, Japan.

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