White Saviorism and Popular Culture

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A01=Kathryn Mathers
Africa
African diaspora studies
America
Anti-black Violence
Author_Kathryn Mathers
Black Panther
Black Superhero
Captain America
Category=GTM
Category=JBCC1
CIA Agent
Citizens Of The United States
critical race theory
Cultural Politics
digital activism
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Global Blackness
Global White Supremacy
Great White
Humanitarianism
Imperialist Extraction
LRA
Media
media studies
mediated representations of Africa
Menstrual Cups
Nelson Mandela
Nice White Lady
Parodic Critique
Pieter Dirk Uys
Pop Stars
Popular Culture
postcolonial critique
Race
Representation
Safe
Social Media
Tom Shoe
transnational humanitarianism
United States
Visual Album
White Savior
White Savior Complex
White Savior Industrial Complex
White Saviorism
White South African Artists

Product details

  • ISBN 9781032112275
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 15 Sep 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century.

Through close readings of multiple mediated sites where Americans imagine Africa, White Saviorism and Popular Culture examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to Black Panther and Black is King, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa.

This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.

Kathryn Mathers is an Associate Professor of the Practice in International Comparative Studies and Cultural Anthropology at Duke University. Her book, Travel, Humanitarianism, and Becoming American in Africa (2010) uses ethnographic observations of American travelers to southern Africa to ask why is Africa so important to Americans? She is co-producer of the documentary film When I Say Africa that challenges the image of Africa as a continent in need of saving.

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