White Terror

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A01=Russell Meeuf
Author_Russell Meeuf
Barack Obama
Category=AFKV
Category=ATFN
Category=ATMN
Category=JBCC1
Category=JBCT
contemporary
cursed
demonic
Donald Trump
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
exorcism
film studies
haunted
home invasion
Jordan Peele
media
popular culture
possessed
race relations
racial resentment
US horror movies
white flight
white fragility
whiteness

Product details

  • ISBN 9780253060389
  • Weight: 431g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Apr 2022
  • Publisher: Indiana University Press
  • Publication City/Country: US
  • Product Form: Paperback
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What kinds of terror lurk beneath the surface of White respectability? Many of the top-grossing US horror films between 2008 and 2016 relied heavily on themes of White, patriarchal fear and fragility: outsiders disrupting the sanctity of the almost always White family, evil forces or transgressive ideas transforming loved ones, and children dying when White women eschew traditional maternal roles.
Horror film has a long history of radical, political commentary, and Russell Meeuf reveals how racial resentments represented specifically in horror films produced during the Obama era gave rise to the Trump presidency and the Make America Great Again movement. Featuring films such as The Conjuring and Don't Breathe, White Terror explores how motifs of home invasion, exorcism, possession, and hauntings mirror cultural debates around White masculinity, class, religion, socioeconomics, and more.
In the vein of Jordan Peele, White Terror exposes how White mainstream fear affects the horror film industry, which in turn cashes in on that fear and draws voters to candidates like Trump.

Russell Meeuf is Professor in the School of Journalism and Mass Media at the University of Idaho in Moscow. He is author of Rebellious Bodies: Stardom, Citizenship, and the New Body Politics and John Wayne's World: Transnational Masculinity in the Fifties.

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