White Woman Speaks with Forked Tongue

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A01=John Morrison
A01=Nicole Ward Jouve
academic discourse
Age Group_Uncategorized
Age Group_Uncategorized
Antoinette Fouque
Author_John Morrison
Author_Nicole Ward Jouve
automatic-update
Balzac
Bataille
Baudelaire
bilingualism in literature
Carrion Crow
Category1=Non-Fiction
Category=DSB
Chantal Chawaf
COP=United Kingdom
criticism and autobiography
Delivery_Pre-order
Doris Lessing
Duras
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
female authors
feminist analysis
feminist critcism
feminist criticism methodology in academia
feminist literary theory
Follow
Fond Blanc
French Feminism
French feminist thought
Golden Notebook
Helene Cixious
Human Beings
Human Kind
Indian record
Jacqueline Risset
Language_English
Lighthouse
literary criticism
Martha Quest
Miss La Trobe
narrative subjectivity
Newly Born Woman
Oriental Tales
PA=Not yet available
Price_€20 to €50
PS=Active
psychoanalytic criticism
Qui
softlaunch
textual analysis
USA
Wide Sargasso Sea
women writers analysis
women's writing
Yorkshire Ripper
Young Man

Product details

  • ISBN 9781032264431
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 09 Sep 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Originally published in 1991. The style of this startlingly original appraisal of a broad range of women’s writing suggests a new direction for feminist criticism, combining as it does challenging, intellectual debate and fresh textual analysis with fictional example and autobiographical detail to make a wholly new invention in the field.

In addressing the need for the critic to say ‘I’ and to own judgments and statements instead of attributing these to an apparently impersonal third person, the author here points up some of the shortcomings of much prevailing ‘feminist’ analysis, challenging the very foundations of the Anglo-American feminist idea.

Purposely avoiding the ‘totalising’ effect of much academic criticism, the writer/critic finds a new format and a new methodology for her insights and observations on a range of writers, from Doris Lessing to Hélène Cixious. Her unique analysis of the links between criticism and autobiography enable her to highlight the absurdity of attempting to write in the light of recent critical and scientific knowledge as if the self were a stable, unified construct, introducing instead a new, creative understanding of the methods and modes of women’s writing.

This sparkling collection presents an exciting and original new voice in literary criticism. It tackles issues fundamental to literary theory, feminist criticism, psychoanalysis and cultural studies, offering new critical insights and providing a significant and wholly original feminist contribution to these key fields.

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