Who Ate Up All the Shinga?
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Park Wan-suh is a best-selling and award-winning writer whose work has been widely translated and published throughout the world. Who Ate Up All the Shinga? is an extraordinary account of her experiences growing up during the Japanese occupation of Korea and the Korean War, a time of great oppression, deprivation, and social and political instability.
Park Wan-suh was born in 1931 in a small village near Kaesong, a protected hamlet of no more than twenty families. Park was raised believing that "no matter how many hills and brooks you crossed, the whole world was Korea and everyone in it was Korean." But then the tendrils of the Japanese occupation, which had already worked their way through much of Korean society before her birth, began to encroach on Park's idyll, complicating her day-to-day life.
With acerbic wit and brilliant insight, Park describes the characters and events that came to shape her young life, portraying the pervasive ways in which collaboration, assimilation, and resistance intertwined within the Korean social fabric before the outbreak of war. Most absorbing is Park's portrait of her mother, a sharp and resourceful widow who both resisted and conformed to stricture, becoming an enigmatic role model for her struggling daughter. Balancing period detail with universal themes, Park weaves a captivating tale that charms, moves, and wholly engrosses.
Park Wan-suh was born in 1931 in a small village near Kaesong, a protected hamlet of no more than twenty families. Park was raised believing that "no matter how many hills and brooks you crossed, the whole world was Korea and everyone in it was Korean." But then the tendrils of the Japanese occupation, which had already worked their way through much of Korean society before her birth, began to encroach on Park's idyll, complicating her day-to-day life.
With acerbic wit and brilliant insight, Park describes the characters and events that came to shape her young life, portraying the pervasive ways in which collaboration, assimilation, and resistance intertwined within the Korean social fabric before the outbreak of war. Most absorbing is Park's portrait of her mother, a sharp and resourceful widow who both resisted and conformed to stricture, becoming an enigmatic role model for her struggling daughter. Balancing period detail with universal themes, Park weaves a captivating tale that charms, moves, and wholly engrosses.
Park Wan-suh (1931–2011) broke into Korea’s literary scene in the 1970s and in 1981 received the prestigious Yi Sang Literary Award for her novel Mother’s Stake. Her prolific career included more than 150 short stories and novellas and close to twenty novels. Her works in translation include My Very Last Possession and The Naked Tree.
Yu Young-nan is a freelance translator living in Seoul. She has translated five Korean novels into English, including Park Wan-suh's The Naked Tree and Yom Sang-seop's Three Generations. Yu was awarded the Daesan Literature Prize for her translation of Yi In-hwa's Everlasting Empire.
Stephen J. Epstein is associate professor and director of the Asian Languages and Cultures Programme at the Victoria University of Wellington.
Yu Young-nan is a freelance translator living in Seoul. She has translated five Korean novels into English, including Park Wan-suh's The Naked Tree and Yom Sang-seop's Three Generations. Yu was awarded the Daesan Literature Prize for her translation of Yi In-hwa's Everlasting Empire.
Stephen J. Epstein is associate professor and director of the Asian Languages and Cultures Programme at the Victoria University of Wellington.