Who's Afraid of Conceptual Art?

Regular price €50.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Elisabeth Schellekens
A01=Peter Goldie
Absinthe Drinker
acconci
Aesthetic Experience
Aesthetic Idealism
Aesthetic Pleasure
Aesthetic Properties
aesthetic theory
Aesthetic Traditionalism
Aesthetic Traditionalist
Al Dente
art interpretation
artistic appreciation
Author_Elisabeth Schellekens
Author_Peter Goldie
Blue Trees
Brillo Boxes
Category=AB
Category=QDTN
Cogito Ergo Sum
Conceptual Art
contemporary art criticism
Dan Perjovschi
Duchamp's Fountain
duchamps
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fountain
High Conceptual Art
idea
Idea Idea
Ironic Self-reflectiveness
Joseph Kosuth
Lisson Gallery
medium
Perceptible Properties
Perceptible Resemblance
perceptual
Perceptual Requirement
Perfunctory Affair
philosophical analysis of conceptual art
philosophy of art
physical
requirement
Scott's Film Blade Runner
Scott’s Film Blade Runner
traditional
visual studies
vito
Yellow Horses

Product details

  • ISBN 9780415422826
  • Weight: 300g
  • Dimensions: 129 x 198mm
  • Publication Date: 08 Oct 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever?

Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to rethink concepts fundamental to art and aesthetics, such as artistic interpretation and appreciation.

Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general. It will be particularly helpful to students of philosophy, art and visual studies seeking an introduction not only to conceptual art but fundamental topics in art and aesthetics.

Peter Goldie is Samuel Hall Chair in Philosophy at The University of Manchester; and has held posts at King’s College London and Magdalen College, Oxford. He is the author of The Emotions: A Philosophical Exploration (2000) and On Personality (2004). Elisabeth Schellekens is Senior Lecturer in the Philosophy Department at Durham University. With Peter Goldie she was a joint researcher in an AHRC Innovation Award project on philosophy and conceptual art. She is editor (with Peter Goldie) of Philosophy and Conceptual Art (2007) and author of Aesthetics and Morality (2007).

More from this author