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Whose Culture?
Whose Culture?
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€27.50
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Afghanistan
Age Group_Uncategorized
Age Group_Uncategorized
American Schools of Oriental Research
Ancient art
Ancient Egypt
And/or
Andor
Animal rights
Annus Mirabilis (poem)
Antiquities
Archaeological context
Archaeological site
Archaeology
Art history
Art museum
automatic-update
Awareness
B01=James Cuno
Buddhist temple
Cambridge University Press
Category1=Non-Fiction
Category=ABC
Category=GLZ
Category=GM
Category=HD
Category=NK
Christopher Hitchens
Collecting
Conservation-restoration of cultural heritage
Consideration
Consignment
COP=United States
Copts in Egypt
Courtier
Cultural heritage
Cultural nationalism
Cultural property
Cultural Property (Japan)
Culture of ancient Rome
Curator
Deep history
Delivery_Delivery within 10-20 working days
Edict
Epigraphy
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethical dilemma
Figurine
Furniture
G. (novel)
Indigenous peoples
Institution
Intellectual history
Intestacy
Language_English
Lecture
Legislation
Legislator
Literature
Looting
Metropolitan Museum of Art
Museum
Musical instrument
National Museum of the American Indian
Northwest Coast art
Ownership
Ownership (psychology)
PA=Available
Philippe de Montebello
Place of origin
Politics
Price_€20 to €50
Private collection
Provenance
PS=Active
Publication
Robert Browning
softlaunch
The New York Times
Theft
True Value
UNESCO
University of Chicago Press
Warfare
Weapon of mass destruction
Western Europe
Work of art
World Heritage Committee
World Heritage Site
Product details
- ISBN 9780691154435
- Weight: 340g
- Dimensions: 152 x 229mm
- Publication Date: 29 Apr 2012
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong. Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics.
They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism. In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.
James Cuno is president and CEO of the J. Paul Getty Trust and former director of the Art Institute of Chicago. His books include Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage (Princeton).
Whose Culture?
€27.50
