Why Fiction Matters in Contemporary China

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A01=David Der-wei Wang
arendt
asia
atrocity
Author_David Der-wei Wang
benjamin
Category=DS
Category=NHF
china
culture
deleuze
dystopia
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
erotica
genre
history
human rights
illumination
liang qichao
literature
lu xun
memorial
memory
migration
nation
national identity
nonfiction
political allegory
president xi jinping
science fiction
self
shen congwen
sinophone
transgression
utopia

Product details

  • ISBN 9781684580262
  • Weight: 476g
  • Dimensions: 183 x 230mm
  • Publication Date: 01 Oct 2020
  • Publisher: Brandeis University Press
  • Publication City/Country: US
  • Product Form: Hardback
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Contemporary discussions of China tend to focus on politics and economics, giving Chinese culture little if any attention. Why Fiction Matters in Contemporary China offers a corrective, revealing the crucial role that fiction plays in helping contemporary Chinese citizens understand themselves and their nation. Where history fails to address the consequences of man-made and natural atrocities, David Der-Wei Wang argues, fiction arises to bear witness to the immemorial and unforeseeable.

Beginning by examining President Xi Jinping’s call in 2013 to “tell the good China story,” Wang illuminates how contemporary Chinese cultural politics have taken a “fictional turn,” which can trace its genealogy to early modern times. He does so by addressing a series of discourses by critics within China, including Liang Qichao, Lu Xun, and Shen Congwen, as well as critics from the West such as Arendt, Benjamin, and Deleuze. Wang highlights the variety and vitality of fictional works from China as well as the larger Sinophone world, ranging from science fiction to political allegory, erotic escapade to utopia and dystopia. The result is an insightful account of contemporary China, one that affords countless new insights and avenues for understanding.

David Der-wei Wang is the Edward C. Henderson Professor in Chinese and Comparative Literature at Harvard University. He is the author of The Lyrical in Epic Time: Modern Chinese Intellectuals and Artists Through the 1949 Crisis and the editor of A New Literary History of Modern China, among other books.

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