Why It's OK to Love Bad Movies

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A01=Matthew Strohl
aesthetic experience theory
Artistic Seriousness
Author_Matthew Strohl
Bad Movie
Battlefield Earth
Cage's Character
Cage's Performance
Cage’s Character
Cage’s Performance
Cannon Group
Category=ATFA
Category=JBCT
Category=QDTN
Category=QDTQ
cinematic taste philosophy
Ed Wood
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethics of entertainment
fan culture analysis
film audience engagement
Golden Raspberry Awards
Good Life
Grand Isle
Hasta La Vista
Holy Mountain
Horror Movie
Leaving Las Vegas
Nicolas Cage
Peggy Sue
philosophical perspectives on cult classics
Punch Drunk
Rocky Horror
Rocky Horror Picture Show
Rotten Tomatoes
Silent Trigger
Slasher Movies
unconventional film appreciation
Universal Soldier
Vampire's Kiss
Vampire’s Kiss
Wicker Man

Product details

  • ISBN 9780367407667
  • Weight: 560g
  • Dimensions: 129 x 198mm
  • Publication Date: 07 Jan 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Most people are too busy to keep up with all the good movies they’d like to see, so why should anyone spend their precious time watching the bad ones?

In Why It’s OK to Love Bad Movies, philosopher and cinematic bottom feeder Matthew Strohl enthusiastically defends a fondness for disreputable films. Combining philosophy of art with film criticism, Strohl flips conventional notions of "good" and "bad" on their heads and makes the case that the ultimate value of a work of art lies in what it can add to our lives. By this measure, some of the worst movies ever made are also among the best.

Through detailed discussions of films such as Troll 2, The Room, Batman & Robin, Twilight, Ninja III: The Domination, and a significant portion of Nicolas Cage’s filmography, Strohl argues that so-called "bad movies" are the ones that break the rules of the art form without the aura of artistic seriousness that surrounds the avant-garde. These movies may not win any awards, but they offer rich opportunities for creative engagement and enable the formation of lively fan communities, and they can be a key ingredient in a fulfilling aesthetic life.

Key Features:

  • Written in a humorous, approachable style, appealing to readers with no background in philosophy.
  • Elaborates the rewards of loving bad movies, such as forming unlikely social bonds and developing refinement without narrowness.
  • Discusses a wide range of beloved bad movies, including Plan 9 from Outer Space, The Core, Battlefield Earth, and Freddy Got Fingered.
  • Contains the most extensive discussion of Nicolas Cage ever included in a philosophy book.

Matthew Strohl is Professor of Philosophy at the University of Montana. He received his Ph.D. from Princeton University and blogs about movies, food, and philosophy of art at strohltopia.com and aestheticsforbirds.com.

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