Why Music Matters

Regular price €79.99
A01=David Hesmondhalgh
Age Group_Uncategorized
Age Group_Uncategorized
american studies
Author_David Hesmondhalgh
automatic-update
Category1=Non-Fiction
Category=AV
Category=JBCC
Category=JFC
COP=United Kingdom
cultural industries
cultural studies
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Ethnomusicology
Language_English
media studies
Music Analysis
music and politics
music and social power
music and social science
music and society
music and sociology
music in everyday life
music in our lives
music scholarship
music studies
PA=Available
performing rites
Philosophy of music
popular culture
popular music in theory
Price_€50 to €100
PS=Active
psychology of music
softlaunch
sounds and society

Product details

  • ISBN 9781405192422
  • Weight: 408g
  • Dimensions: 160 x 236mm
  • Publication Date: 30 Aug 2013
  • Publisher: John Wiley and Sons Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

Listen to David Hesmondhalgh discuss the arguments at the core of 'Why Music Matters' with Laurie Taylor on BBC Radio 4's Thinking Allowed here: www.bbc.co.uk/iplayer/episode/b03q9q2n/Thinking_Allowed_Why_Music_Matters_Bhangra_and_Belonging/

In what ways might music enrich the lives of people and of societies? What prevents it from doing so? Why Music Matters explores the role of music in our lives, and investigates the social and political significance of music in modern societies.

  • First book of its kind to explore music through a variety of theories and approaches and unite these theories using one authoritative voice
  • Combines a broad yet theoretically sophisticated approach to music and society with real clarity and accessibility
  • A historically and sociologically informed understanding of music in relation to questions of social power and inequality
  • By drawing on both popular and academic talk about a range of musical forms and practices, readers will engage with a wide musical terrain and a wealth of case studies
David Hesmondhalgh is Professor of Media and Music Industries at the University of Leeds. He is the author of The Cultural Industries, now in its third edition (2013) and co-author (with Sarah Baker) of a study of working life in three cultural industries, including music, Creative Labour (2011). He is also the editor or co-editor of various collections, including Western Music and its Others (with Georgina Born, 2000) and Popular Music Studies (with Keith Negus, 2002).