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Wilhelm Leibl: The Art of Seeing
Wilhelm Leibl: The Art of Seeing
★★★★★
★★★★★
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€49.99
A01=Albertina Wien
A01=Bernhard von Waldkirch
A01=Keith Harper
A01=Marianne von Manstein
A01=Züricher Kunstgesellschaft
Age Group_Uncategorized
Age Group_Uncategorized
Author_Albertina Wien
Author_Bernhard von Waldkirch
Author_Keith Harper
Author_Marianne von Manstein
Author_Züricher Kunstgesellschaft
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Category1=Non-Fiction
Category=ACV
Category=AFC
Category=AGA
Category=AGB
Category=AGC
COP=Germany
Delivery_Delivery within 10-20 working days
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eq_isMigrated=2
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
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softlaunch
Product details
- ISBN 9783777433875
- Weight: 1620g
- Dimensions: 220 x 270mm
- Publication Date: 09 Jan 2020
- Publisher: Hirmer Verlag
- Publication City/Country: DE
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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Wilhelm Leibl (1844–1900) is regarded as one of the most significant portraitists and an important representative of Realism in Europe. With large-format illustrations of 40 paintings and 60 drawings this volume accompanies the first comprehensive museum exhibition with a focus on portraits and representations of figures to be shown in Switzerland and Austria.
Wilhelm Leibl explained his individual and modern figure painting with his retreat to the countryside. For Leibl the decisive factor was not that a model was attractive, but that he or she was shown in a good light.
The publication highlights in insightful contributions Leibl’s position between tradition and modernity, his contribution to European Realism and his affinity for the colour black. It also discusses his relationship to Degas, his links with Hungary and his importance for the art of the twentieth and twenty-first century.
Wilhelm Leibl explained his individual and modern figure painting with his retreat to the countryside. For Leibl the decisive factor was not that a model was attractive, but that he or she was shown in a good light.
The publication highlights in insightful contributions Leibl’s position between tradition and modernity, his contribution to European Realism and his affinity for the colour black. It also discusses his relationship to Degas, his links with Hungary and his importance for the art of the twentieth and twenty-first century.
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