Wilhelm von Bode and the American Art Market

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A01=Michaela Watrelot
advisor
art dealing
art history
art patronage
Author_Michaela Watrelot
Berlin
buyers
buying
catalogue
Category=ABA
Category=ABQ
Category=AGA
Category=GLZ
Category=KJM
collecting
collectors
dealer
Duveen Brothers
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethics
Europe
European art collecting
France
Germany
international art market networks
Joseph Duveen
Kaiser-Friedrich-Museum
museum
museum acquisition strategies
museum director
museum studies
network
nineteenth century connoisseurship
Paris
private collection
provenance research
sale
selling
transatlantic art trade
United States

Product details

  • ISBN 9781032465524
  • Weight: 880g
  • Dimensions: 174 x 246mm
  • Publication Date: 19 Dec 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Based on an extensive and very meticulous study of different archives and the evaluation of original, previously unpublished, archival material, this book highlights the key aspects and trends of the European and American art markets in the late nineteenth and early twentieth centuries.

In particular, the book focuses on how these markets influenced each other from the viewpoint of one of the most prominent museum directors of this period, Wilhelm von Bode (1845–1929). Given the complexity of the topic, the book is structured into two parts. The first part focuses on Bode’s interactions with the German banker and dedicated art collector based in Paris, Rudolphe Kann (1845–1905). The second part follows the sale of the Kann Collection to the dealer Joseph Duveen and follows on the relationship between Bode, Duveen and the American collectors.

The book will be of interest to scholars working in art history, museum studies, and the art market.

Michaela Watrelot, PhD is the Head Curator at Bassam Freiha Art Foundation.

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