William Holman Hunt and Typological Symbolism (Routledge Revivals)

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A01=George P. Landow
Allegorical Art
Apostle Of The Gentiles
Arnolfini Portrait
art
art historical analysis
Author_George P. Landow
awakening
Awakening Conscience
biblical symbolism in Victorian painting
birmingham
Brazen Serpent
Category=ABA
Category=AGA
Category=AGB
Christ Child
city
conscience
Death's Head Moth
Early Netherlandish Painting
Edward King
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Espousal Gem
galleries
Hireling Shepherd
Hunt's Painting
manchester
Manchester City Art Galleries
Manchester Cotton Spinner
Milton's Nativity Ode
modem
museums
painters
Pre-Raphaelite Circle
Pre-Raphaelite movement
Prefigurative Symbolism
religious iconography
Richard Coeur De Lion
Ruskin's Interpretation
scriptural typology
symbolism in painting
Typological Allusions
Typological Symbolism
Victorian art theory
Young Man

Product details

  • ISBN 9781138842809
  • Weight: 640g
  • Dimensions: 174 x 246mm
  • Publication Date: 19 Jan 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In this study, first published in 1979, Landow contends that Hunt’s version of Pre-Raphaelitism concerned itself primarily with an elaborate system of painterly symbolism rather than with a photographic realism as has been usually supposed. Like Ruskin, Hunt believed that a symbolism based on scriptural typology – the method of finding anticipations of Christ in Hebrew history – could produce an ideal art that would solve the problems of Victorian painting. According to Hunt, this elaborate symbolism could simultaneously avoid the dangers of materialism inherent in a realistic style, the dead conventionalism of academic art, and the sentimentality of much contemporary painting.

George Landow examines Hunt’s work in the context of this argument and, drawing on much unknown or previously inaccessible material, shows how he used texts, frames, and symbols to create a complex art of mediation that became increasingly visionary as the artist grew older. This book is ideal for students of art history.

George Landow examines Hunt's work in the context of this argument and, drawing on much unknown or previously inaccessible material, shows how he used texts, frames, and symbols to create a complex art of mediation that became increasingly visionary as the artist grew older. This book is ideal for students of art history.

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