William Mountfort’s Greenwich Park (1691)

Regular price €56.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Jesus Correa Sanchez
Age Group_Uncategorized
Age Group_Uncategorized
Author_Jesus Correa Sanchez
automatic-update
Category1=Kids
Category1=Non-Fiction
Category=C
Category=DDL
Category=JBSD
Category=JBSF
Category=YQC
comedy
COP=Switzerland
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
eq_society-politics
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9783034341776
  • Weight: 332g
  • Dimensions: 148 x 210mm
  • Publication Date: 17 Mar 2021
  • Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Publication City/Country: CH
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

William Mountfort’s Greenwich Park (1691), produced in the aftermath of the Glorious Revolution, takes comic action to the green spaces east of London where urbane rakes court witty young ladies surrounded by a lively gallery including roistering citizens, an adulterous wife and a charismatic kept mistress. This first-ever critical edition offers a fully annotated modernized text, together with an introduction analysing the processes of evolution and transition articulated by this comedy on several, interrelated levels: from the old hard comedy of the 1670s to the new humane comedy of the early 1690s, from a glamorous view of debauchery and excess to the more sober morals promoted by William and Mary, and from the Town settings of Carolean comedy to the suburbs.

Jesús Correa Sánchez holds an MA in English literature from Indiana University and a PhD in the same field from the Universidad de Sevilla. He has taught different courses at Indiana University, the Language Institute of the Universidad de Sevilla, the Universidad Pablo de Olavide, and the Universidad Nacional de Educación a Distancia (UNED). He is a member of the Restoration Comedy Project, which aims to catalogue all the comedies, farces, burlesques and drolls from the Restoration period in a comprehensive database. His research interests include the stylistic evolution of the genre from the 1660s to the late 17th century and the use of private and public space in the Restoration comedy.

More from this author