Wittgenstein, Theory and the Arts
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aesthetics theory
Animal Kingdom
Anomalous Monism
Art Cinema Narration
Bath Tubs
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causal
Cavell's Reading
Cavell’s Reading
cognitive
Cognitive Film Theory
Cognitive Stock
comprehension
conceptual analysis
Currie's Theory
Currie’s Theory
Davidson's Position
Davidson’s Position
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explanation
film
humanistic inquiry
Intentional Human Behaviour
Knight Errant
language and consciousness
Language Games
Loos's Writings
looss
Loos’s Writings
mental
Mental Processes
narrative
Narrative Comprehension
Ordinary Psychological Concepts
philosophical approach to art criticism
philosophy of culture
Phonetic Equivalence
Proximal Mode
psychoanalytic explanation
Retinal Image
simulation
Special Conceptual World
Unconscious Mental Mechanisms
Visual Inferences
Visual Recognition System
Wittgenstein's Conception
Wittgenstein’s Conception
writings
Young Man
Product details
- ISBN 9780415408257
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 01 May 2006
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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This is the first full exploration of the implications of Wittgenstein's philosophy for understanding the arts and cultural criticism. These original essays by philosophers and critics address key philosophical topics in the study of the arts and culture, such as humanism, criticism, psychology, painting, film and ethics. All exemplify Wittgenstein's method of conceptual investigation and highlight his notion of philosophy as a cure.
Richard Allen is Associate Professor of Cinema Studies at New York University. Malcolm Turvey teachs film history at Sarah Lawrence College in New York State.
