Wittgenstein's Vienna Revisited

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A01=Allan Janik
aesthetic theory
Author_Allan Janik
Carl Schorske
Category=JBCC
Category=NHD
Category=QDHR9
Creative Milieu
critical modernism
cultural critique
Die Letzten Tage Der Menschheit
Early Wittgenstein's View
Early Wittgenstein’s View
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethics and aesthetics
Fire Manning
Georg Trakl
Geschlecht Und Charakter
Good Life
Heinrich Hertz
Hugo Wolf
inverted
Jacques Offenbach
Kierkegaard
La Perichole
modernism
modernist philosophy debates
Offenbach's Works
offenbachs
Offenbach’s Works
operetta
Peer Gynt
Perfect Wagnerites
philosophy of language
poetry
Soren Kierkegaard
Trakl's Poetry
trakls
Trakl’s Poetry
Vice Versa
Vienna Circle
viennese
Viennese intellectual history
Viennese Modernism
Weininger's View
Weininger's Work
Weininger’s View
Weininger’s Work
Wild Duck
wittgensteins
works
world
Young Men

Product details

  • ISBN 9780765800503
  • Weight: 635g
  • Dimensions: 152 x 229mm
  • Publication Date: 28 Feb 2001
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: GB
  • Product Form: Hardback
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Fin de siecle Vienna was once memorably described by Karl Kraus as a "proving ground for the destruction of the world." In the decades leading to the World War that brought down the Austro-Hungarian empire, the city was at once an operetta dream world masking social and political problems and tension, as well as a center for the far-reaching explorations and innovations in music, art, science, and philosophy that would help to define modernity. One of the most powerful critiques of the retreat into fantasy was that of the philosopher Ludwig Wittgenstein, whose early career in Vienna has helped frame debates about ethical and aesthetic values in culture. In Wittgenstein's Vienna Revisited Allan Janik expands upon his work Wittgenstein's Vienna (co-authored with Stephen Toulmin) to amplify a number of significant points concerning the genesis of Wittgenstein's thought, the nature of Viennese culture, and criticism of contemporary culture.

Although Wittgenstein is the central figure in this volume, Janik places considerable emphasis on other influential figures, both Viennese and non-Viennese, in order to break down some of the persistent stereotypes about the philosopher and his surrounding culture, especially the myths of "carefree" Vienna and Wittgenstein the positivist. The persistence of these myths, in Janik's view, stems in part from the inability of many historians to differentiate past from present in the evaluation of intellectual currents. Janik reviews a number of figures overlooked in assessing Wittgenstein: Otto Weininger, Kraus, Schoenberg, Nietzsche, Wagner, Ibsen, Offenbach, and Georg Trakl. All of these, Janik demonstrates, are absolutely necessary to understand what was at stake in the debates on aestheticism and the critique of a modern culture.

Wittgenstein's efforts to recognize the limits of thought and language and thus to be fair to science, religion, and art account for his place of honor among critical modernists. These essays elucidate Wittgenstein's perspective on our culture.

Michael Blowfield, Charlotte Karam. Dima Jamali

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