Wollheim, Wittgenstein, and Pictorial Representation

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Aesthetics
Aspect Dawns
aspect perception
Avner Baz
Category=ABA
Category=QD
Category=QDTM
Category=QDTN
Charles Travis
Cheshire Cats
Collingwood
conceptual art theory
conceptual foundations of pictorial experience
Continuous Aspect Perception
Creative Commons Attribution NonCommercial ShareAlike
David Hills
depiction
Duck Rabbit Drawing
Duck Rabbit Figure
emotion in visual art
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Experienced Resemblance
Fabian Dorsch
figure ground relation
Gabriele M. Mras
Garry L. Hagberg
Hans-Johann Glock
imagination
imagination in aesthetics
Joachim Schulte
Meindert Hobbema
Michael Levine
Michael Podro
Necker Cube
Non-perceptual Awareness
perception
philosophy of perception
Pictorial Depiction
Pictorial Experience
picture
Podro
Recognitional Fold
Rembrandt
Rembrandt Harmenszoon Van Rijn
representation
Richard Heinrich
seeing-as
seeing-in
Straightforward Perception
Ubiquity Thesis
Vice Versa
Volker A. Munz
Wittgenstein
Wittgensteinian Aspects
Wittgensteinian Grammatical Investigation
Wollheim
Wollheim's Account
Wollheim's Theory
Wollheim's View
Wollheim’s Account
Wollheim’s Theory
Wollheim’s View
Young Man

Product details

  • ISBN 9781138123465
  • Weight: 589g
  • Dimensions: 156 x 234mm
  • Publication Date: 06 Jun 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Pictorial representation is one of the core questions in aesthetics and philosophy of art. What is a picture? How do pictures represent things? This collection of specially commissioned chapters examines the influential thesis that the core of pictorial representation is not resemblance but 'seeing-in', in particular as found in the work of Richard Wollheim.

We can see a passing cloud as a rabbit, but we also see a rabbit in the clouds. 'Seeing-in' is an imaginative act of the kind employed by Leonardo’s pupils when he told them to see what they could - for example, battle scenes - in a wall of cracked plaster. This collection examines the idea of 'seeing-in' as it appears primarily in the work of Wollheim but also its origins in the work of Wittgenstein. An international roster of contributors examine topics such as the contrast between seeing-in and seeing-as; whether or in what sense Wollheim can be thought of as borrowing from Wittgenstein; the idea that all perception is conceptual or propositional; the metaphor of figure and ground and its relation to the notion of 'two-foldedness'; the importance in art of emotion and the imagination.

Wollheim, Wittgenstein and Pictorial Representation: Seeing-as and Seeing-in is essential reading for students and scholars of aesthetics and philosophy of art, and also of interest to those in related subjects such as philosophy of mind and art theory.

Gary Kemp is Senior Lecturer in Philosophy at the University of Glasgow, UK. He is the author of Quine versus Davidson: Truth, Reference and Meaning (2012), and What is this thing called Philosophy of Language? (Routledge, 2013). Gabriele M. Mras is Associate Professor of Philosophy at the WU Vienna, Austria. Her writings include Naturalismus, Reduktion und die Bedingungen von Gedanken (2002) and Wahrheit, Gedanke, Subjekt (2001), and she is co-editor of Conceptus: Journal of Philosophy.