A01=Lillian Bullshows Hogan
American History
American Indian culture
Author_Lillian Bullshows Hogan
Category=DNBM
Category=JBSL11
Category=NHK
Category=NHTB
Crow autobiography
Crow elder
Crow memoir
Crow oral history
Crow reservation
Crow tribe
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnopoetics
Indian autobiography
Indian boarding school
Indian history
Indian traditions
Montana
Montana history
Montana tribe
Native American autobiography
Native American history
Native American memoir
Native American oral history
Native American Studies
Native American traditions
Native American women
Native studies
oral history
Product details
- ISBN 9781496243379
- Dimensions: 152 x 229mm
- Publication Date: 01 Jul 2025
- Publisher: University of Nebraska Press
- Publication City/Country: US
- Product Form: Paperback
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The oldest living Crow at the dawn of the twenty-first century, Lillian Bullshows Hogan, grew up on the Crow reservation in rural Montana. In The Woman Who Loved Mankind she enthralls readers with stories from her long and remarkable life and the stories of her parents, part of the last generation of Crow born to nomadic ways.
As a child Hogan had a miniature tepee, a fast horse, and a medicine necklace of green beads; she learned traditional arts and food gathering from her mother and experienced the bitterness of Indian boarding school. As an adult she drove a car, maintained a bank account, and read the local English paper, but she spoke Crow as her first language, practiced beadwork, tanned hides, and often visited the last of the old chiefs and berdaches with her family. Though she married in the traditional Crow way and was a proud member of the Tobacco and Sacred Pipe societies, she also helped establish a Christian church on her reservation.
Hogan’s stories are warm, funny, heartbreaking, and brimming with information about Crow life. Hogan told her stories to her daughter, Mardell Hogan Plainfeather, and to Barbara Loeb, a scholar and longtime friend of the family whose record of her words stays true to Hogan’s expressive speaking rhythms with its echoes of traditional Crow storytelling.
As a child Hogan had a miniature tepee, a fast horse, and a medicine necklace of green beads; she learned traditional arts and food gathering from her mother and experienced the bitterness of Indian boarding school. As an adult she drove a car, maintained a bank account, and read the local English paper, but she spoke Crow as her first language, practiced beadwork, tanned hides, and often visited the last of the old chiefs and berdaches with her family. Though she married in the traditional Crow way and was a proud member of the Tobacco and Sacred Pipe societies, she also helped establish a Christian church on her reservation.
Hogan’s stories are warm, funny, heartbreaking, and brimming with information about Crow life. Hogan told her stories to her daughter, Mardell Hogan Plainfeather, and to Barbara Loeb, a scholar and longtime friend of the family whose record of her words stays true to Hogan’s expressive speaking rhythms with its echoes of traditional Crow storytelling.
Lillian Bullshows Hogan (1905–2003) was a highly respected Crow elder whose life spanned the twentieth century. Barbara Loeb taught Native art history at Oregon State University. She is the author of Felice Lucero-Giaccardo: A Contemporary Pueblo Painter and numerous writings on Crow and Plateau Indian art and culture. Mardell Hogan Plainfeather is the daughter of Lillian Bullshows Hogan. She is retired as a supervisory park ranger with the National Park Service and as a Crow field director of the American Indian Tribal Histories Project at the Western Heritage Center in Billings, Montana.
