Woman's Film of the 1940s

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A01=Alison L. McKee
american
Author_Alison L. McKee
Category=ATFA
Category=GTM
Category=JBCC
Category=JBCT
Category=JBSF1
Category=JHB
Category=NHTB
cinema
Classical Fi Lm Narrative
Classical Hollywood Cinema
Contemporary Fi Lm Theory
De Lauretis
De Praslin
De Winter
Disfi Gured
Emma's Desire
Emma’s Desire
Enchanted Cottage
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Federal Bureau Of Investigation
Female Plot
feminist
feminist film theory
Fi Lm
film studies
Fl Ashback
forties
gendered narrative interpretation
genre
Ghost Fi Lm
Hamilton Woman
Historical Woman's Fi Lm
Historical Woman’s Fi Lm
hollywood
Key Female Fi Gures
Laura Jesson
media
melodrama
melodrama analysis
narrative identity
Olivia De Havilland
past
postwar
Random Harvest
REX HARRISON
spectatorship models
Woman's Fi
Woman's Fi Lm
Woman's Fi Lms
Woman’s Fi
Woman’s Fi Lm
Woman’s Fi Lms
World War II cinema
Young Man

Product details

  • ISBN 9781138548541
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book explores the relationship among gender, desire, and narrative in 1940s woman’s films which negotiate the terrain between public history and private experience. The woman’s film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II. In addition, in paying tribute to and departing from earlier feminist formulations about gendered spectatorship in cinema, McKee argues that such models emphasized a masculine-centered gaze at the inadvertent expense of understanding other possible modes of identification and gender expression in classical narrative cinema. She proposes ways of understanding gender and narrative based in part on literary narrative theory and ultimately works toward a notion of an androgynous spectatorship and mode of interpretation in the 1940s woman’s film.

Alison L. McKee is an Associate Professor in the Department of Television, Radio, Film, and Theatre at San Jose State University, US

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