Women and Resistance in Contemporary Bengali Cinema

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A01=Srimati Mukherjee
Author_Srimati Mukherjee
bali
Bandit Queen
Bengali Cinema
Category=ATF
Category=ATFA
Category=JBCT
Category=JBSF1
Category=JBSL
Category=NHTB
Charu Mazumdar
chokher
Chokher Bali
commodities
Contemporary Bengali Cinema
Dubai International Film Festival
DVD Version
Early Twentieth Century Bengal
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Feminist Resilience
film
ghose
ghosh
Ghosh's Film
ghoshs
Ghosh’s Film
Global Economic Disparity
goutam
Goutam Ghose
Independent Women
Legal Juridical Oppression
Long Term Conditioning
Married Woman
Phoolan Devi
post-World War Ii Cinema
Red Shawl
rituparno
Shubho Muharat
Tagore's Song
Tagore’s Song
transactional
Transactional Commodities
Vice Versa
Young Female Prostitutes
Younger Man

Product details

  • ISBN 9781138120952
  • Weight: 385g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Jan 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Historically, Indian cinema has positioned women at the intersection of tradition and a more evolving culture, portraying contradictory attitudes which affect women’s roles in public and private spheres.

Examining the work of three directors from West Bengal, this book addresses the juxtaposition of tradition and culture regarding women in Bengali cinema. It argues the antithesis of women’s roles, particularly in terms of ideas of resistance, revolution, change, and autonomy, by suggesting they convey resistance to hegemonic structures, encouraging a re-envisioning of women’s positions within the familial-social matrix. Along with presenting a perception of culture as dynamic and evolving, the book discusses how some directors show that with this rupturing of the traditionally prohibitive, and a notion of unmaking and making in women, a traditional inclination is exposed to align women with ideas of absence, substitution, and disposability. The author goes on to show how selected auteurs in contemporary Bengali cinema break with certain traditional representations of women, gesturing towards a culture that is more liberating for women.

Presenting the first full-length study of women’s changing roles over the last twenty years of Bengali cinema, this book will be a useful contribution for students and scholars of South Asian Culture, Film Studies and Gender Studies.

Srimati Mukherjee is Professor of English at Temple University in Philadelphia, USA.

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