Women Artists in Interwar France

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A01=Paula J. Birnbaum
Alice Halicka
art historical methodology
Artist's Model
Artist’s Model
Author_Paula J. Birnbaum
Berthe Morisot
Category=AGA
Conseil National Des Femmes
De Lempicka
Du Jeu De Paume
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Female Artists
female embodiment theory
Female Nude
feminist modernism in France
Femmes Peintres
French avant-garde women
Gauguin
gender representation art
interwar cultural politics
Interwar France
Jewish Female Body
Maria Lactans
Marie Laurencin
Matrilineal History
Mela Muter
Modern Woman Artist
modernist art history
Paul Gauguin
Petit Palais
Place De La Concorde
Suzanne Valadon
Tamara De Lempicka
Women Artists
Women's Art Practices
Women’s Art Practices
Young Man

Product details

  • ISBN 9781138275461
  • Weight: 920g
  • Dimensions: 174 x 246mm
  • Publication Date: 16 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Women Artists in Interwar France: Framing Femininities illuminates the importance of the Société des Femmes Artists Modernes, more commonly known as FAM, and returns this group to its proper place in the history of modern art. In particular, this volume explores how FAM and its most famous members”Suzanne Valadon, Marie Laurencin, and Tamara de Lempicka”brought a new approach to the most prominent themes of female embodiment: the self-portrait, motherhood, and the female nude. These women reimagined art's conventions and changed the direction of both art history and the politics of their contemporary art world. FAM has been excluded from histories of modern art despite its prominence during the interwar years. Paula Birnbaum's study redresses this omission, contextualizing the group's legacy in light of the conservative politics of 1930s France. The group's artistic response to the reactionary views and images of women at the time is shown to be a key element in the narrative of modernist formalism. Although many FAM works are missing”one reason for the lack of attention paid to their efforts”Birnbaum's extensive research, through archives, press clippings, and first-hand interviews with artists' families, reclaims FAM as an important chapter in the history of art from the interwar years.

Paula J. Birnbaum is Associate Professor and Program Director of Art History and Arts Management at the University of San Francisco, USA.

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