Women, Collecting, and Cultures Beyond Europe

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Agnes Block
artificiallia
Australia
Baroque
Beatrice Judd Ryan
Canada
Category=AGA
Category=AGC
Catharine Parr Traill
Central America
Cheng Gong
China
Clementine
collection
colonial
colonial collecting networks
Confers
decolonial
display
Dogs Tooth Violet
Dragon's Blood
Dragon’s Blood
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Evergreen
Follow
Forbidden City
gender studies
global
High Qing
India
Indian Artists
Indian Flora
indigenous
indigenous art history
Japan
Japanese Art Objects
Lady Jane Franklin
Lady Mary Impey
Manitoba Museum
material culture studies
Middle East
museum curation practices
Natural History Illustrations
naturallia
O'Tama Kiyohara Ragusa
objects
Oil On Canvas
O’Tama Kiyohara Ragusa
Persona
Porcelain Fired
Qianlong Reign
Qing Imperial
Qing Imperial Court
Queen Marie I
racism
Referent Models
slavery
Snuff
South America
taxonomy
textile conservation
transcultural exchange
United States
women collectors global perspectives
Women's Collections
womens studies
Women’s Collections
Young Man

Product details

  • ISBN 9781032137858
  • Weight: 820g
  • Dimensions: 174 x 246mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines collecting around the world and how women have participated in and formed collections globally.

The edited volume builds on recent research and offers a wider lens through which to examine and challenge women’s collecting histories. Spanning from the seventeenth century to the twenty-first (although not organized chronologically) the research herein extends beyond European geographies and across time periods; it brings to light new research on how artificiallia and naturallia were collected, transported, exchanged, and/or displayed beyond Europe. Women, Collecting and Cultures Beyond Europe considers collections as points of contact that forged transcultural connections and knowledge exchange. Some authors focus mainly on collectors and what was collected, while others consider taxonomies, travel, patterns of consumption, migration, markets, and the after life of things. In its broad and interdisciplinary approach, this book amplifies women’s voices, and aims to position their collecting practices toward new transcultural directions, including women’s relation to distinct cultures, customs, and beliefs as well as exposing the challenges women faced when carving a place for themselves within global networks.

This study will be of interest to scholars working in collections and collecting, conservation, museum studies, art history, women’s studies, material and visual cultures, Indigenous studies, textile histories, global studies, history of science, social and cultural histories.

Arlene Leis is an independent art historian who received her PhD from University of York.