Women Do Genre in Film and Television

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Barbara Zecchi
Bettie Page
Brigitte Rollet
Captain America
Category=ATF
Category=ATFA
Category=ATFX
Category=JBCT
Category=JBCT2
Category=JBSF
Category=JBSF1
Category=KNT
Classical Hollywood Western
Compassionate Sex
Danse Macabre
Dark Comedy
Dayan's Adaptations
Dayan’s Adaptations
Deborah Jermyn
Drop Dead Gorgeous
E. Dawn Hall
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eq_bestseller
eq_business-finance-law
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eq_society-politics
female creative roles in audiovisual industries
Feminist Film Criticism
feminist film theory
film studies
Fourth Wave Feminism
Frances Smith
Francesca Coppa
French Tv
gender
gender representation media
Hollywoood
industry studies
Jennifer's Body
Jennifer’s Body
Jorie Lagerwey
Katarzyna Paszkiewicz
Linda Badley
Long Shots
Mary Harron
McCarthy's Character
McCarthy's Performance
McCarthy’s Character
McCarthy’s Performance
media authorship studies
media studies
Meek's Cutoff
Meek’s Cutoff
Nicole Richter
Notorious Bettie Page
production
Roberta Garrett
Sanghita Sen
screenwriting analysis
SCUM Manifesto
television genre studies
television studies
Tv Adaptation
Tv Fiction
Tv Melodrama
Valerie Solanas
Women Filmmakers
women filmmakers research
women's studies
World film
Young Men

Product details

  • ISBN 9780367889845
  • Weight: 403g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Winner of first Prize in the BAFTSS Best Edited Collection competition, this volume examines how different generations of women work within the genericity of audio-visual storytelling not necessarily to ‘undo’ or ‘subvert’ popular formats, but also to draw on their generative force. Recent examples of filmmakers and creative practitioners within and outside Hollywood as well as women working in non-directing authorial roles remind us that women are in various ways authoring commercially and culturally impactful texts across a range of genres. Put simply, this volume asks: what do women who are creatively engaged with audio-visual industries do with genre and what does genre do with them? The contributors to the collection respond to this question from diverse perspectives and with different answers, spanning issues of direction, screenwriting, performance and audience address/reception.

This volume examines how different generations of women work within the genericity of audio-visual storytelling not necessarily to ‘undo’ or ‘subvert’ popular formats, but also to draw on their generative force. Recent examples of filmmakers and creative practitioners within and outside Hollywood as well as women working in non-directing authorial roles remind us that women are in various ways authoring commercially and culturally impactful texts across a range of genres. Put simply, this volume asks: what do women who are creatively engaged with audio-visual industries do with genre and what does genre do with them? The contributors to the collection respond to this question from diverse perspectives and with different answers, spanning issues of direction, screenwriting, performance and audience address/reception.