Women in Convent Spaces and the Music Networks of Early Modern Barcelona

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A01=Ascension Mazuela-Anguita
Age Group_Uncategorized
Age Group_Uncategorized
archival music studies
Author_Ascension Mazuela-Anguita
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Barcelona
Barcelona Convents
Biblioteca De Catalunya
BNE
Carmelite Convent
Category1=Non-Fiction
Category=AVGW
Category=AVLW
Chant Books
Chapel Master
Choir Book
Choir Director
Convent Church
convents
COP=United Kingdom
De La Generalitat De Catalunya
Delivery_Delivery within 10-20 working days
Discalced Carmelite
early modern music
early modern Spain
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Estefania De Requesens
female monastic music traditions
gender and urban culture
gender studies
Hispanic music
Iberia
Iberian music
Language_English
Liturgical Celebrations
Museu Nacional
musicology
musicology research
nunneries
nuns
PA=Available
Philip III
Plainchant Notation
Polyphonic Singing
Poor Clare Convents
Poor Clare Nuns
Price_€20 to €50
PS=Active
religious women's history
Renaissance music
Repentant Women
Roman Liturgy
sacred music
sacred music networks
Sant Antoni
Santa Maria De
softlaunch
soundscape
Spain
Spanish music
Te Deum Laudamus
Transatlantic Rivalry
urban history
urban studies
women's history
women's music

Product details

  • ISBN 9781032273631
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 26 Aug 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book presents the first study of music in convent life in a single Hispanic city, Barcelona, during the early modern era. Exploring how convents were involved in the musical networks operating in sixteenth-century Barcelona, it challenges the invisibility of women in music history and reveals the intrinsic role played by nuns and lay women in the city’s urban musical culture.

Drawing on a wide range of archival sources, this innovative study offers a cross-disciplinary approach that not only reveals details of the rich musical life in Barcelona’s nunneries, but shows how they took part in wider national and transnational networks of musical distribution, including religious, commercial, and social dimensions of music. The connections of Barcelona convents to networks for the dissemination of music in and outside the city provide a rich example of the close relationship between musical networks, urban society, and popular culture.

Addressing how music was understood as a marker of identity, prestige, and social status and, above all, as a conduit between earth and heaven, this book provides new insights into how women shaped musical traditions in the urban context. It is essential reading for scholars of early modern history, musicology, history of religion, and gender studies, as well as all those with an interest in urban history and the city of Barcelona.

The book is supported by additional digital appendices, which include:

  • Records of inquiries into the lineage of Santa Maria de Jonqueres nuns
  • Development of the collections of choir books belonging to the convents of Santa Maria de Jonqueres and Sant Antoni i Santa Clara

Ascensión Mazuela-Anguita is Associate Professor of Music at the University of Granada, Spain.

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