Women in Molière’s Comedies

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A01=Diana Koloini
Author_Diana Koloini
Category=DSB
Category=DSG
Category=JBSF11
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eq_biography-true-stories
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eq_society-politics
female agency in literature
feminist literary criticism
French classical theater
gender roles analysis
patriarchal society critique
seventeenth-century drama
women resisting patriarchal authority

Product details

  • ISBN 9781032578064
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 May 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book offers a new approach to the work of the great classical author. Molière’s is obviously a patriarchal world in which women are most often treated as objects of patriarchal autocracy, which expects their submission. Yet in a number of his plays, women display ample resourcefulness in countering the patriarchal rule, often managing to outwit it. To explore this topic, the book scrutinizes Molière’s most important comedies, The School for Wives, Tartuffe, The Misanthrope, and Don Juan, all of which feature complex female characters who play important roles. They show that Molière acknowledged a fully valid space for women and recognized their right to their own lives. As a prelude, the book analyzes two comedies from the margins of Molière’s oeuvre, The Ridiculous Précieuses and The Learned Ladies, which provoked controversy and indignant feminist criticism, since they appear to deride the emancipatory efforts of the time.

Diana Koloini is a dramaturge and theater scholar based in Ljubljana, Slovenia, with a 30-year career in theater, most of it in the Slovene National Theatre Drama Ljubljana.

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