Women in Performance

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A01=Sarah Gorman
Angry Black Women
Author_Sarah Gorman
Avant Garde
avant-garde performance
Butch Femme Aesthetic
Category=AFKP
Category=ATD
Category=JBCC1
Category=JBSF1
Chelsea Theatre
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Everyday Sexism Project
experimental theatre gender politics
Female Comedians
Feminist
feminist performance analysis
gender performativity
gender studies
Goat Island
identity politics theory
Intersectional Feminism
intersectionality research
Irony
Lois Weaver
Nonbinary Gender Identities
performance studies
Post-Strucutralism
Postmodern Performance
postmodern theory
Pushes Back
Queer Failure
Queer Utopia
Radical
Radical Softness
Sajid Javid
Shadow Feminism
Smart Phones
Split Britches
Straight White Men
Subaltern
trans studies
Triple Threat
Tv Executive
UK Art
UK Stage
UK's EU Referendum
UK’s EU Referendum
Women
Young Man

Product details

  • ISBN 9781138223356
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Jul 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Women in Performance: Repurposing Failure charts the renewed popularity of intersectional feminism, gender, race and identity politics in contemporary Western experimental theatre, comedy and performance through the featured artists’ ability to strategically repurpose failure.

Failure has provided a popular frame through which to theorise recent avantgarde performance, even though the work rarely acknowledges stakes tend to be higher for women than men. This book analyses the imperative work of a number of female, non-binary and trans* practitioners who resist the postmodern doctrine of ‘post-identity’ and attempt to foster a sense of agency on stage. By using feminism as a critical lens, Gorman interrogates received ideas about performance failure and negotiates contradictions between contemporary white feminism, intersectional feminism, gender and sexuality.

Women in Performance: Repurposing Failure reveals how performance has the power to both observe and reject contemporary feminist and postmodern theory, rendering this text an invaluable resource for theatre and performance studies students and those grappling with the disciplinary tensions between feminism, gender, queer and trans* studies.

Sarah Gorman is a Reader in Drama, Theatre & Performance at the University of Roehampton, London, UK.

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