Women in Soviet Film

Regular price €198.40
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Alla Demidova
Andrei Konchalovsky
Anthony Anemone
Carnival Night
Category=ATFA
Category=JBSF1
cinematic representation women
Complaint Book
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film aesthetics analysis
Fridrikh Ermler
Friend Ivan Lapshin
gender roles in Soviet cinema
Grigorii Aleksandrov
Inna Churikova
July Rain
Justin Weir
Kira Muratova
La Vie En Rose
Late Soviet Culture
Late Thaw
Marlen Khutsiev
Michele Leigh
Moskva Slezam Ne Verit
Natalia Klimova
Nikita Mikhalkov
periods
post-thaw
Post-Thaw Periods
postwar cultural history
Rimgaila Salys
Russian film genres
socialist realism cinema
Soviet Cinema
Soviet gender studies
Soviet Screen
Soviet Woman
Tatiana Mikhailova
Tim Harte
Tom Roberts
Tri Sestry
Vice Versa
Wild Honey
World War Ii Veteran
Young Man

Product details

  • ISBN 9781138221642
  • Weight: 462g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book illuminates and explores the representation of women in Soviet cinema from the late 1950s, through the 1960s, and into the 1970s, a period when Soviet culture shifted away, to varying degrees, from the well-established conventions of socialist realism. Covering films about working class women, rural and urban women, and women from the intelligentsia, it probes various cinematic genres and approaches to film aesthetics, while it also highlights how Soviet cinema depicted the ambiguity of emerging gender roles, pressing social issues, and evolving relationships between men and women. It thereby casts a penetrating light on society and culture in this crucial period of the Soviet Union’s development.

Marina Rojavin is teaching at Bryn Mawr College. Some of her scholarly interests are Russian intellectuals in Imperial Russia and Russian intelligentsia, women, and character archetypes in Soviet cinema of 1960s–1980s. Her most recent publication is the textbook Russian for Advanced Students (2013) completed with her colleagues.

Tim Harte is an associate professor of Russian at Bryn Mawr College. He is author of Fast Forward: The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910–1930 (2009) as well as various articles on twentieth-century Russian literature and film.