Women in the Studio

Regular price €56.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Paula Wolfe
audio engineering gender
Author_Paula Wolfe
British Broadsheet Press
Business Sector
Category=AVLP
Category=AVX
Category=JBSF1
Commercial Recording Studio
Contemporary Society
Digital Recording Technology
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Existing Interview Data
FAQ Section
Female Artists
Female Producers
female producers research
Female Singer Songwriter
Feminism
gender
gender bias in music production
gender stereotypes
Home Studio
Independent Record
Label Services
Mainstream Popular Music
Marketing practices
media representation
media representation women
music industry
Music Industry Culture
music industry patriarchy
Music Industry Professionals
music marketing
music production
music technology
new industry
Pop Star
popular music production
qualitative interviews music
self-production
Social Identifier
studio technology inequality
UK Arm
UK Music
UK Music Industry
WIM
Young Men

Product details

  • ISBN 9780367774912
  • Weight: 430g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Jan 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production. Wolfe brings an invaluable perspective as both a working artist-producer and as a scholar, thereby offering a new body of research based on interviews and first-hand observation. Wolfe demonstrates that patriarchal frameworks continue to form the backbone of the music industry establishment but that women’s work in the creation and control of sound presents a potent challenge to gender stereotyping, marginalisation and containment of women’s achievements that is still in evidence in music marketing practices and media representation in the digital era.

Paula Wolfe has published in the areas of music production, music technology and gender, and regularly presents her research at national and international music conferences on a wide range of issues that accompany the work of women singer-songwriters, composers and producers. Practitioner as well as scholar, Wolfe is a critically acclaimed artist-producer and is currently promoting her third album, White Dots (Sib Records 2019). www.paulawolfe.co.uk

More from this author