Women Make Horror

Regular price €34.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A32=Alexandra Heller-Nicholas
A32=Alicia Kozma
A32=Alison Peirse
A32=Dahlia Schweitzer
A32=Katarzyna Paszkiewicz
A32=Katia Houde
A32=Laura Mee
A32=Martha Shearer
A32=Tosha R. Taylor
academic
academy
Age Group_Uncategorized
Age Group_Uncategorized
Alison Peirse
Arts
Australia
automatic-update
B01=Alison Peirse
body
Category1=Non-Fiction
Category=APFA
Category=APFN
Category=ATFA
Category=ATFN
Category=JBSF1
Category=JBSF11
Category=JFFK
Category=JFSJ1
Communications
COP=United States
Criticism
Cultural Studies
Delivery_Delivery within 10-20 working days
East Asian
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
European
experimental cinema
fans
femininity
feminism
festival programmer
festival programmers
festivals
Film
filmmaker
filmmakers
filmmaking
gender
Gender Studies
Genres
History
Horror
industry gatekeepers
Language_English
Latin American
Media Studies
North American
PA=Available
Price_€20 to €50
PS=Active
sexuality
Social Science
softlaunch
Video
women academics
women filmmakers
women writers
Women's Studies
writer

Product details

  • ISBN 9781978805118
  • Weight: 340g
  • Dimensions: 156 x 235mm
  • Publication Date: 17 Sep 2020
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Winner of the the 2021 Best Edited Collection Award from BAFTSS
Winner of the 2021 British Fantasy Award in Best Non-Fiction​
​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction
Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards​


“But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.”
“Women are just not that interested in making horror films.”

 
This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body.

Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.

ALISON PEIRSE is an associate professor in film and media at the University of Leeds, UK. She is author of After Dracula: The 1930s Horror Film and co-editor of Korean Horror Cinema.